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101 0 $aeng
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181   $2rdacontent
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200 00$aMapping multimodal performance studies /$fedited by Maria Grazia Sindoni, Janina Wildfeuer, and Kay L. O'Halloran
205   $a1st ed.
210  1$aNew York :$cRoutledge,$d2017.
215   $a1 online resource (224 pages) $cillustrations, tables
225 1 $aRoutledge Studies in Multimodality ;$v17
311 08$a1-138-65774-3 
320   $aIncludes bibliographical references at the end of each chapters and indexes.
327   $a1. Mapping multimodal performance studies : an introduction / Maria Grazia Sindoni, Janina Wildfeuer, and Kay L. O'Halloran -- 2. Multimodal semiotics of theatrical performances / Sabine Tan, Peter Wignell, and Kay L. O'Halloran -- 3. Making meaning through movement : a functional grammar of dance movement / Arianna Maiorani -- 4. The phantoms of the opera : toward a multidimensional interpretative framework of analysis / Fabio Rossi and Maria Grazia Sindoni -- 5. The eyes have it : 'in the gaze. everything happened' / Maree Stenglin -- 6. Interacting cognitive subsystems and dance : choreographic creativity / Rebecca Weber -- 7. Film space as theatrical performing space : a multimodal discourse approach to transmedial analysis / Chiao-I Tseng -- 8. Who's afraid of Conchita Wurst? Drag performers and the construction of multimodal prosody / Giuseppe Balirano -- 9. From text to performance : discourse analytical thoughts on new forms of performances in social media / Janina Wildfeuer.
330   $aThis book is a first attempt to map the broad context of performance studies from a multimodal perspective. It collects original research on traditional performing arts (theatre, dance, opera), live (durational performance) and mediated/recorded performances (films, television shows), as well as performative discursive practices on social media by adopting several theories and methodologies all dealing with the notion of multimodality. As a mostly dynamic and also interactive environment for various text types and genres, the context of performance studies provides many opportunities to produce meaning verbally and non-verbally. All chapters in this book develop frameworks for the analysis of performance-related events and activities and explore empirical case studies in a range of different ages and cultures. A further focus lies on the communicative strategies deployed by different communities of practice, taking into account processes of production, distribution, and consumption of such texts in diverse spatial and temporal contexts.
410  0$aRoutledge studies in multimodality ;$v17.
606   $aPerforming arts
615  0$aPerforming arts.
676   $a791
701   $aO'Halloran$b Kay L$0882785
701   $aSindoni$b Maria Grazia$f1974-$0940007
701   $aWildfeuer$b Janina$f1984-$0940008
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910154872403321
996   $aMapping multimodal performance studies$92119461
997   $aUNINA