LEADER 04042oam 2200529Mu 450 001 9910154871803321 005 20190225021425.0 010 $a1-317-04365-0 010 $a1-317-04366-9 035 $a(CKB)4340000000019278 035 $a(MiAaPQ)EBC4756165 035 $a(OCoLC)965774029 035 $a(OCoLC-P)965774029 035 $a(FlBoTFG)9781315612898 035 $a(PPN)242675603 035 $a(EXLCZ)994340000000019278 100 $a20161210d2016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Routledge Research Companion to Early Drama and Performance 210 $aFlorence $cTaylor and Francis$d2016 215 $a1 online resource (364 pages) 311 $a1-315-61289-5 311 $a1-4724-2140-X 327 $aCover; Title; Copyright; Contents; List of figures; Acknowledgements; Notes on contributors; Introduction; PART I Northern European playing before the playhouse; 1 Liturgical enactment; 2 Arras, where burghers and jongleurs meet, play, and develop forms -- afterwards seen as theatre ... ; 3 The early ""Anglo-Norman"" and French tradition; 4 Drama in Cornwall, Wales, Ireland, Scotland and Brittany; 5 Playing in northern Europe: setting the stage for the Low Countries; PART II Modes of production and reception; 6 Word and Image in early performance. 327 $a7 Playing with time's end: cultivating sincere contrition in medieval Last Judgment performances8 Researching court performance; 9 Dance and gesture as media for dramatic expression; 10 Robin Hood plays and combat games; PART III Reviewing the Anglophone tradition; 11 English biblical drama; 12 Morality plays and the aftermath of Arundel's Constitutions; 13 Rehabilitating academic drama; 14 The interlude; 15 Touring players and their plays before 1570; PART IV The long Middle Ages; 16 Manuscripts, antiquarians, editors and critics: the historiography of reception. 327 $a17 Re-enacting the past: medieval English biblical plays and some modern analogues18 The processional theatre of Palm Sunday; 19 The medieval and the avant garde: an interview with avant garde multi-media medievalist-practitioner/deviser Gro Siri Ognøy Johansen (Norway); Index. 330 2 $a"The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections:Northern European Playing before the Playhouse;Modes of Production and Reception;Reviewing the Anglophone Tradition;The Long Middle AgesOffering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies."--Provided by publisher. 606 $aPERFORMING ARTS / Theater / General$2bisacsh 606 $aDrama, Medieval$xHistory and criticism 606 $aLiturgical drama$zEurope, Northern$xHistory and criticism 606 $aTheater$zEurope, Northern$xHistory$yMedieval, 500-1500 615 07$aPERFORMING ARTS / Theater / General. 615 0$aDrama, Medieval$xHistory and criticism. 615 0$aLiturgical drama$xHistory and criticism. 615 0$aTheater$xHistory 676 $a809.202 702 $aKing$b Pamela M 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910154871803321 996 $aThe Routledge Research Companion to Early Drama and Performance$92241218 997 $aUNINA