LEADER 03748nam 22005415 450 001 9910154848403321 005 20251030103840.0 010 $a9781137544933 010 $a1137544937 024 7 $a10.1057/978-1-137-54493-3 035 $a(CKB)4340000000018380 035 $a(DE-He213)978-1-137-54493-3 035 $a(MiAaPQ)EBC4748447 035 $a(Perlego)3487102 035 $a(EXLCZ)994340000000018380 100 $a20161125d2016 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEthics in Screenwriting $eNew Perspectives /$fedited by Steven Maras 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XXV, 263 p. 19 illus.) 225 1 $aPalgrave Studies in Screenwriting,$x2731-4499 311 08$a9781349958535 311 08$a1349958530 311 08$a9781137544926 311 08$a1137544929 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aPreface.Steven Maras -- 1. Ethics Beyond the Code.Steven Maras.Part I Writers and Production Environments -- 2. The Concept of ?Double Storytelling? in Danish Public Service TV Drama Production.Eva Novrup Redvall -- 3. Ethics, Style and Story in Indigenous Screenwriting: Warwick Thornton in Interview.Steven Maras -- 4. On Morals, Ethics and Screenwriting: An Interview with Jimmy McGovern.Steven Maras.-Part II Actuality and History -- 5. ANZAC Girls: An Ethical Autoanalysis.Felicity Packard and Ben Stubbs -- 6. The Ethics of Actuality in the Scripting of Enrique Rosas?s The Gray Automobile.María Teresa DePaoli -- 7. Blurring Boundaries, Transmedia Storytelling and the Ethics of C.S. Peirce.Renira Rampazzo Gambarato and Alessandro Nanì.-Part III Character and Narrative -- 8. Doubled Ethics and Narrative Distance in The Wire.Jeff Rush -- 9. Writing From the Mouth of Shadows: Creativity as Ethics in the Screenwriting of Jean-Claude Carrière.Felipe Pruneda Sentíes -- 10. Screenwriting as Dialogic Ethics after Animal Kingdom.Steven Maras.-11. Ethics, Representations and Judgment.Steven Maras. 330 $aEthics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics. Going beyond the orthodox discussion of morality of film and television, the collection focuses on ethics in screenwriting. Building on a new wave of screenwriting research, as well as a ?turn to ethics? in humanities and media studies scholarship, this title forms a bridge between these areas in a unique analysis of a key area of media practice. Each essay goes beyond the general discussion of ethics and media to engage with specific aspects of screenwriting or scripting. Written for readers interested in questions of ethics as well as screenwriting, the collection offers new perspectives on ethical questions associated with Writers and their Production Environment; Actuality and History; and Character and Narrative. 410 0$aPalgrave Studies in Screenwriting,$x2731-4499 606 $aMotion picture authorship 606 $aEthics 606 $aScreenwriting 606 $aMoral Philosophy and Applied Ethics 615 0$aMotion picture authorship. 615 0$aEthics. 615 14$aScreenwriting. 615 24$aMoral Philosophy and Applied Ethics. 676 $a791.43 702 $aMaras$b Steven$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910154848403321 996 $aEthics in Screenwriting$92517931 997 $aUNINA