LEADER 03553nam  2200697Ia 450 
001 9910154758403321
005 20200520144314.0
010   $a0-88920-865-4
024 7 $a10.51644/9780889208650
035   $a(CKB)2430000000002445
035   $a(EBL)3246212
035   $a(SSID)ssj0000462811
035   $a(PQKBManifestationID)11334827
035   $a(PQKBTitleCode)TC0000462811
035   $a(PQKBWorkID)10409365
035   $a(PQKB)10491798
035   $a(MiAaPQ)EBC3050235
035   $a(CaBNvSL)rjv00101326
035   $a(CaPaEBR)402632
035   $a(MiAaPQ)EBC3246212
035   $a(OCoLC)144144853
035   $a(MdBmJHUP)muse48017
035   $a(VaAlCD)20.500.12592/818qs1
035   $a(schport)gibson_crkn/2009-12-01/2/402632
035   $a(PPN)250539233
035   $a(DE-B1597)667720
035   $a(DE-B1597)9780889208650
035   $a(EXLCZ)992430000000002445
100   $a19820204d1980      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe scruffy scoundrels (Gli straccioni) /$fAnnibal Caro ; translated with an introduction and notes by Massimo Ciavolella and Donald Beecher
205   $a1st ed.
210   $aWaterloo, Ontario $cWilfrid Laurier University Press$d1980
215   $a1 online resource (126 p.)
225 1 $aCarleton Renaissance plays in translation
300   $aA play.
300   $aTranslation of: Gli straccioni.
311   $a0-88920-103-X 
320   $aIncludes bibliographical references.
327   $a""THE SCRUFFY SCOUNDRELS""; ""Acknowledgements""; ""Introduction""; ""Life""; ""Literary Production""; ""History of the Text""; ""The Play""; ""Plot""; ""Characters""; ""The Language""; ""A Note on the Translation""; ""Select Bibliography""; ""Notes to the Introduction""; ""THE SCRUFFY SCOUNDRELS""; ""Dramatis Personae""; ""Prologue""; ""ACT I""; ""ACT II""; ""ACT III""; ""ACT IV""; ""ACT V""; ""Notes""
330   $aThe Scruffy Scoundrels by Annibal Caro offers the student, scholar, and general reader a sixteenth-century masterpiece in modern English translation. From one vantage point, The Scruffy Scoundrels would appear to be no more than a series of unrelated scenes and sketches grouped around a highly conventionalized and loosely structured love plot: the arrival of Pilucca and Tindaro in Rome abounding in topical references; the appearance of the two ragged brothers so arbitrarily related to the rest of the events of the play; the love squabble between two servants that leads to Nuta?s memorably comic invective; the stock farcical routines of the Mirandola episodes; the long pathetic tale of Tindaro so little of which actually takes place on the stage. There is a sense, however, in which each scene contains its own ethos and milieu and hails from a particular comic genre, each with its own topoi and character types. This efficient management of plot is simply a measure of Caro?s comic genius.
410  0$aCarleton Renaissance plays in translation.
606   $aItalian fiction
606   $aItalian literature
615  0$aItalian fiction.
615  0$aItalian literature.
676   $a852/.4
700   $aCaro$b Annibal$f1507-1566.$0154388
701   $aCiavolella$b Massimo$f1942-$0169279
701   $aBeecher$b Donald$0990999
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910154758403321
996   $aThe scruffy scoundrels (Gli straccioni)$94202282
997   $aUNINA