LEADER 04600nam 2200721Ia 450 001 9910154731003321 005 20200520144314.0 010 $a1-280-92494-2 010 $a9786610924943 010 $a0-88920-604-X 024 7 $a10.51644/9780889206045 035 $a(CKB)2430000000002508 035 $a(EBL)685905 035 $a(OCoLC)180704522 035 $a(SSID)ssj0000291953 035 $a(PQKBManifestationID)11212251 035 $a(PQKBTitleCode)TC0000291953 035 $a(PQKBWorkID)10254770 035 $a(PQKB)10377410 035 $a(MiAaPQ)EBC685905 035 $a(CaPaEBR)402373 035 $a(CaBNvSL)rjv00101453 035 $a(MiAaPQ)EBC3246335 035 $a(MdBmJHUP)muse14762 035 $a(VaAlCD)20.500.12592/x6zrk6 035 $a(schport)gibson_crkn/2009-12-01/2/402373 035 $a(PPN)253168287 035 $a(DE-B1597)667222 035 $a(DE-B1597)9780889206045 035 $a(EXLCZ)992430000000002508 100 $a19940124d1994 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe collected writings of Michael Snow /$fwith a foreword by Louise Dompierre 205 $a1st ed. 210 $aWaterloo, Ont. $cWilfrid Laurier University Press$dc1994 215 $a1 online resource (304 p.) 300 $aAt head of title: Michael Snow Project. 311 $a0-88920-243-5 327 $aContents; Foreword by Louise Dompierre; The Real ""New Jazz,"" 1950; Poem, 1957; Something You Might Try, 1958; Title or Heading, 1961; A Lot of Near Mrs., 1962-63; Around about New York Eye and Ear Control, 1966; Statements/18 Canadian Artists, 1967; First to Last, 1967; Crafts, 1967; On Wavelength, 1968; Abitibi, 1969; Tap, 1969; Ten Questions to Michael Snow, 1969; La Re?gion Centrale, 1969; Converging on La Re?gion Centrale: Michael Snow in Conversation with Charlotte Townsend, 1971; Michael Snow: A Filmography by Max Knowles, 1971; Passage (Dairy), 1971 327 $aThe Life & Times of Michael Snow, 1971De La, 1972; Information or Illusion: An Interview with Michael Snow, 1972; The Camera and the Spectator: Michael Snow in Discussion with John Du Cane, 1973; Boucherville, Montre?al, Toronto, London, 1973; Notes for Rameau 's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen, 1974; Some Scripts for Rameau 's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen, 1974; Tom Gibson's Photographs, 1974; Michael Snow Musics for Piano, Whistling, Microphone and Tape Recorder, 1975; The Artists' Jazz Band Live at the Edge, 1976 327 $aA Letter to Alvin Balkind, 1976Crushed Cookies Make Crumbs Liberates Swing. Cuts Its Pulse, 1978; Larry Dubin's Music, 1978; Pierre Theberge: Conversation with Michael Snow, 1978; Cerisy-la-Salle, 1979; Edinburgh, 1979; Statement for 10 Canadian Artists in the 1970s, 1980; So Is This, 1982; Michael Snow and Bruce Elder in Conversation, 1982; On Murray Favro, 1982; (Hand-written) To Write, 1982; On Hollis Frampton, 1984; Music and Me, 1986; An Entrance to Redifice, 1987; The Audience, 1987; Laocoo?n of the People, 1987; The Last LP, 1987; Trying to Figure It Out, 1987 327 $aStatement for an Exhibition, Tokyo, 1988Playing the Radio: A Personal History, 1989; Admission (or, Marcel Duchamp), 1989; Sign Paintings by Robert Hedrick, 1990; Statement for the 8th Biennial of Sydney, Australia, 1990; Statement for an Exhibition, Paris, 1992 330 $aWriting, for Michael Snow, is as much a form of ""art-making"" as the broad range of visual art activities for which he is renowned, including the ""Walking Woman"" series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content - they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these 410 4$aThe Michael Snow project 410 4$aThe Michael Snow project 517 1 $aMichael Snow project 606 $aPhotography$zCanada 615 0$aPhotography 676 $a700/.92 700 $aSnow$b Michael$f1929-$01753166 701 $aDompierre$b Louise$01230718 712 02$aMichael Snow Project. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154731003321 996 $aThe collected writings of Michael Snow$94200331 997 $aUNINA