LEADER 02022oam 22004694a 450 001 9910154708403321 005 20180817105041.0 010 $a0-253-02836-1 035 $a(CKB)4340000000022975 035 $a(MiAaPQ)EBC4767248 035 $a(OCoLC)1016808571 035 $a(MdBmJHUP)muse57715 035 $a(EXLCZ)994340000000022975 100 $a20040812d2005 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aUnsettling Scores$b[electronic resource] $eGerman Film, Music, and Ideology /$fRoger Hillman 210 1$aBloomington, Indiana ;$aIndianapolis, [Indiana] :$cIndiana University Press,$d2005. 210 4$dİ2005 215 $a1 online resource (233 pages) $cillustrations 311 $a0-253-21754-7 311 $a0-253-34537-5 320 $aIncludes bibliographical references (p. 199-212) and index. 327 $aEstablishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory. 606 $aNational socialism and motion pictures 606 $aMotion picture music$zGermany$xHistory and criticism 606 $aMotion pictures and music$zGermany 608 $aElectronic books. 615 0$aNational socialism and motion pictures. 615 0$aMotion picture music$xHistory and criticism. 615 0$aMotion pictures and music 676 $a791.4302/4 700 $aHillman$b Roger$01236014 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910154708403321 996 $aUnsettling Scores$92870369 997 $aUNINA