LEADER 01573nam 2200373Ia 450 001 996396458603316 005 20221107215047.0 035 $a(CKB)4330000000336990 035 $a(EEBO)2240849332 035 $a(OCoLC)13033996 035 $a(EXLCZ)994330000000336990 100 $a19860117d1676 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA discourse of miracles wrought in the Roman Catholick Church, or, A full refutation of Dr. Stillingfleets unjust exceptions against miracles$b[electronic resource] $etogether with a large discovery of the Doctors unexcusable frauds, manifest in his many false, perverted, and impertinent quotations /$fby E.W 210 $aAntwerp $cPrinted by Michael Cnobbaert ...$d1676 215 $a[32], 385 p 300 $aAttributed to Edward Worsley. Cf. Halkett & Laing (2nd ed.). 300 $aTitle pages stained in filmed copy. Title page-p.1 photographed from British Library copy and inserted at the end. 300 $aErrata note on p. [32]. 300 $aReproduction of original in Bodleian Library. 300 $aMarginal notes. 330 $aeebo-0014 606 $aMiracles$vEarly works to 1800 615 0$aMiracles 700 $aE. W$g(Edward Worsley),$f1605-1676.$01010777 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996396458603316 996 $aA discourse of miracles wrought in the Roman Catholick Church, or, A full refutation of Dr. Stillingfleets unjust exceptions against miracles$92339481 997 $aUNISA LEADER 04592nam 2200541 450 001 9910794042603321 005 20211105152038.0 010 $a0-8232-8779-3 024 7 $a10.1515/9780823287796 035 $a(CKB)4100000011286124 035 $a(MiAaPQ)EBC6220294 035 $a(DE-B1597)566200 035 $a(DE-B1597)9780823287796 035 $a(OCoLC)1154122262 035 $a(EXLCZ)994100000011286124 100 $a20201014d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNoir affect /$fChristopher Breu, Elizabeth A. Hatmaker, editors 210 1$aNew York :$cFordham University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (305 pages) 327 $tFront matter --$tContents --$tPreface --$tIntroduction: Dark Passages --$t1. Toward Alphaville: Noir, Midcentury Communication, and the Management of Affect --$t2. Public Violence as Private Pathology: Noir Affect in The End of a Primitive --$t3. Cold Kink: Race and Sex in the African American Underworld --$t4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy --$t5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of Affect --$t6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir --$t7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell Franchise --$t8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir Video Game --$t9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl --$t10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt --$t11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto --$tAfterword: Melodrama, Noir?s Kid Sister, or Crying in Trump?s America --$tList of Contributors --$tIndex 330 $aNoir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir?s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga. The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically ?perverse,? including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political?economic impact of the various forms noir affect takes. If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir.Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Ignacio Sánchez Prado, Brian Rejack, Pamela Thoma, Kirin Wachter-Grene 606 $aFilm noir 610 $aAffect. 610 $aFilm Noir. 610 $aNegativity. 610 $aNeoliberalism. 610 $aNoir. 610 $aPopular Culture. 610 $aPsychoanalysis. 610 $aPulp literature. 610 $aVideo Games. 615 0$aFilm noir. 676 $a791.430909355 702 $aBreu$b Christopher 702 $aHatmaker$b Elizabeth A. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794042603321 996 $aNoir affect$93784290 997 $aUNINA LEADER 01868nam0 22003973i 450 001 VAN00240529 005 20250109104516.523 017 70$2N$a9789811641220 100 $a20220215d2021 |0itac50 ba 101 $aeng 102 $aSG 105 $a|||| ||||| 181 $ai$b e 182 $ab 200 1 $aGeological and Geo-Environmental Processes on Earth$feditors Arun Kumar Shandilya ... 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