LEADER 04155oam 2200565I 450 001 9910154618303321 005 20230808200603.0 010 $a1-351-95494-6 010 $a1-315-26140-5 024 7 $a10.4324/9781315261409 035 $a(CKB)3710000000965305 035 $a(MiAaPQ)EBC4758170 035 $a(OCoLC)973027849 035 $a(BIP)63377176 035 $a(BIP)13099179 035 $a(EXLCZ)993710000000965305 100 $a20180706e20162007 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aBook and text in France, 1400-1600 $epoetry on the page /$fedited by Adrian Armstrong and Malcolm Quainton 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (236 pages) $cillustrations, tables 300 $aFirst published 2007 by Ashgate. 311 08$a0-7546-5590-3 311 08$a1-351-95495-4 320 $aIncludes bibliographical references and index. 327 $a1. Courtly gatherings and poetic games : 'coterie' anthologies in the late Middle Ages in France / Jane H.M. Taylor -- 2. Inversions, omissions and the co-textual reorientation of reading : the Ballades of Charles d'Orleans in Verard's La chasse et le depart d'amours (1509) / Jean-Claude Muhlethaler -- 3. From stage to page : royal entry performances in honour of Mary Tudor (1514) / Cynthia J. Brown -- 4. (Re)-sonner les Matines : martial d'Auvergne's text in books of hours / Mary Beth Winn -- 5. Love on the page : materiality and literariness in Jean Bouchet's Amoureux transi and its avatars / Adrian Armstrong -- 6. Picturing Marot / Richard Cooper -- 7. An eclogue engraved : Maurice Sceve and Bernard Salomon's Saulsaye (1547) / Tom Conley -- 8. Paratextual strategy and sexual politics : Louise Labe's Oeuvres lyonnaises / Francois Rigolot -- 9. The exploitation of parentheses and lunulae in Ronsard's Hynne de Calays et de Zethes / Malcolm Quainton. 330 $aIn recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orle?ans, Jean Bouchet, Pierre de Ronsard and Louise Labe?. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other. 606 $aFrench poetry$yTo 1500$xHistory and criticism 606 $aFrench poetry$y16th century$xHistory and criticism 606 $aEarly printed books$zFrance$y16th century 606 $aIncunabula$zFrance 607 $aFrance$vImprints 615 0$aFrench poetry$xHistory and criticism. 615 0$aFrench poetry$xHistory and criticism. 615 0$aEarly printed books 615 0$aIncunabula 676 $a841./209 701 $aArmstrong$b Adrian$0789459 701 $aQuainton$b Malcolm$0927825 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154618303321 996 $aBook and text in France, 1400-1600$92091187 997 $aUNINA