LEADER 03351oam 2200565I 450 001 9910154604803321 005 20240505162205.0 010 $a1-315-23391-6 024 7 $a10.4324/9781315233918 035 $a(CKB)3710000000965806 035 $a(MiAaPQ)EBC4758556 035 $a(OCoLC)965444223 035 $a(BIP)61810084 035 $a(BIP)34170421 035 $a(EXLCZ)993710000000965806 100 $a20180706e20162012 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aWives, widows, mistresses, and nuns in early modern Italy $emaking the invisible visible through art and patronage /$fedited by Katherine McIver 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (286 pages) $cillustrations, maps 225 1 $aWomen and Gender in the early Modern World 300 $a"First published 2012 by Ashgate Publishing"--t.p. verso. 311 08$a0-7546-6953-X 311 08$a1-351-87248-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. Overshadowed, overlooked : historical invisibility -- pt. 2. Becoming visible through portraiture -- pt. 3. Spatial visibility reconstructed -- pt. 4. Sacred invisibility unveiled. 330 $aThrough a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy. 410 0$aWomen and gender in the early modern world. 606 $aArt patronage$zItaly$zMarche$xHistory 606 $aWomen art patrons$zItaly$zMarche$xHistory 606 $aArt and society$zItaly$zMarche$xHistory 606 $aWomen$zItaly$zMarche$xHistory 615 0$aArt patronage$xHistory. 615 0$aWomen art patrons$xHistory. 615 0$aArt and society$xHistory. 615 0$aWomen$xHistory. 676 $a704/.0420945 701 $aMcIver$b Katherine A$0755081 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154604803321 996 $aWives, widows, mistresses, and nuns in early modern Italy$92210827 997 $aUNINA