LEADER 03769oam 2200649I 450 001 9910154582403321 005 20230808200652.0 010 $a1-351-96115-2 010 $a1-138-25149-6 010 $a1-315-26347-5 024 7 $a10.4324/9781315263472 035 $a(CKB)3710000000965501 035 $a(MiAaPQ)EBC4758920 035 $a(OCoLC)965542998 035 $a(BIP)63378307 035 $a(BIP)21309833 035 $a(EXLCZ)993710000000965501 100 $a20180706e20162009 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAbstractions of evidence in the study of manuscripts and early printed books /$fJoseph A. Dane 210 1$aLondon :$cRoutledge,$d2016. 215 $a1 online resource (185 pages) $cillustrations 300 $aFirst published 2009 by Ashgate Publishing. 311 08$a0-7546-6501-1 311 08$a1-351-96116-0 320 $aIncludes bibliographical references and index. 327 $apt. 1. Inference and evidence in medieval books -- pt. 2. What is a book? 330 $aIn this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include Everyman, Chaucer's Legend of Good Women, the Anglo-Norman Le Seint Resurrection, and Adam de la Helle's Le Jeu de Robin et Marion. The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice. 606 $aBibliography$xMethodology 606 $aIncunabula$xBibliography$xMethodology 606 $aEarly printed books$vBibliography$xMethodology 606 $aManuscripts, Medieval$vCatalogs 606 $aLiterature, Medieval$xCriticism, Textual 606 $aBibliography, Critical 606 $aTransmission of texts 606 $aEditions 615 0$aBibliography$xMethodology. 615 0$aIncunabula$xBibliography$xMethodology. 615 0$aEarly printed books$xMethodology. 615 0$aManuscripts, Medieval 615 0$aLiterature, Medieval$xCriticism, Textual. 615 0$aBibliography, Critical. 615 0$aTransmission of texts. 615 0$aEditions. 676 $a094.2 700 $aDane$b Joseph A.$0923102 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154582403321 996 $aAbstractions of evidence in the study of manuscripts and early printed books$92071197 997 $aUNINA