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100   $a20031022d2004      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHindu iconoclasts$b[electronic resource] $eRammohun Roy, Dayananda Sarasvati, and nineteenth-century polemics against idolatry /$fNoel A. Salmond
210   $aWaterloo, Ont. $cPublished for the Canadian Corporation for Studies in Religion by Wilfrid Laurier University Press$d2004
215   $a1 online resource (187 p.)
225 1 $aEditions SR ;$vv. 28
300   $aNovel.
311   $a0-88920-419-5 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgments; Note on Orthography; Introduction: Hindu Iconoclasts: An Anomaly?; One: History of Image-Worship in India; Two: Rammohun Roy; Three: Dayananda Sarasvati; Four: Rammohun and Dayananda; Five: Hindu Iconoclasm: Cross-Cultural Dimensions?; Notes; Bibliography; Index
330   $a  Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists?     Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European languages, religion, and currents of thought. Dayananda was an itinerant Gujarati ascetic who did not speak English and was not integrated into the culture of the colonizers. Salmond's examination of Dayananda after Rammohun complicates the easy assumption that nineteenth-century Hindu ico
410  0$aEditions SR ;$vv. 28.
606   $aIdols and images$zIndia$xWorship$xHistory$y19th century
606   $aWorship (Hinduism)
608   $aElectronic books.
615  0$aIdols and images$xWorship$xHistory
615  0$aWorship (Hinduism)
676   $a294.5/37/092254
700   $aSalmond$b Noel A$g(Noel Anthony),$f1953-$01042452
712 02$aCanadian Corporation for Studies in Religion.
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910154563303321
996   $aHindu iconoclasts$92466685
997   $aUNINA