LEADER 01821oam 2200517zu 450 001 9910154338803321 005 20210731015517.0 035 $a(CKB)2560000000296649 035 $a(SSID)ssj0001194855 035 $a(PQKBManifestationID)11682897 035 $a(PQKBTitleCode)TC0001194855 035 $a(PQKBWorkID)11155707 035 $a(PQKB)10417539 035 $a(StDuBDS)EDZ0000219211 035 $a(MiAaPQ)EBC4842529 035 $a(EXLCZ)992560000000296649 100 $a20160829d2014 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSampling media 210 1$aNew York :$cOxford University Press,$d2014. 215 $a1 online resource 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-19-994931-X 311 $a0-19-936474-5 320 $aIncludes bibliographical references and index. 330 8 $aThis work digs deep into sampling practices across audio-visual media, from found footage filmmaking to Internet 'memes' that repurpose music videos, trailers and news broadcasts. The book extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring its politics, and examining its historical and global scope. 606 $aAppropriation (Arts) 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aFine Arts - General$2HILCC 615 0$aAppropriation (Arts) 615 7$aArt, Architecture & Applied Arts 615 7$aFine Arts - General 676 $a701/.1 702 $aLaderman$b David 702 $aLaderman$b David 702 $aWestrup$b Laurel 702 $aWestrup$b Laurel 801 0$bPQKB 906 $aBOOK 912 $a9910154338803321 996 $aSampling media$92880100 997 $aUNINA