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100   $a20160829d2014      uy              
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFour-handed monsters : four-hand piano playing and nineteenth-century culture
210  1$aNew York :$cOxford University Press,$d2014.
215   $a1 online resource $cillustrations (black and white)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-19-998177-9 
311   $a0-19-937008-7 
320   $aIncludes bibliographical references and index.
330 8 $aDaub provides the first in-depth study of four-hand piano playing as both a musical and a cultural phenomenon. He argues that through the newly emergent forms of dissemination that became possible in the nineteenth century, and in concert with the ever more popular piano, four-hand piano playing became a central organising institution of nineteenth-century home culture. In the course of the nineteenth century, four-hand piano playing emerged across Europe as a popular pastime of the well-heeled classes and of those looking to join them.
606   $aPiano music (4 hands)$xHistory and criticism$y19th century
606   $aMusic$2HILCC
606   $aMusic, Dance, Drama & Film$2HILCC
606   $aMusic History & Criticism, Instrumental$2HILCC
615  0$aPiano music (4 hands)$xHistory and criticism
615  7$aMusic
615  7$aMusic, Dance, Drama & Film
615  7$aMusic History & Criticism, Instrumental
676   $a785/.6219209034
700   $aDaub$b Adrian$01242188
801  0$bPQKB
906   $aBOOK
912   $a9910154338703321
996   $aFour-handed monsters : four-hand piano playing and nineteenth-century culture$92881369
997   $aUNINA