LEADER 02231oam 2200601zu 450 001 9910154329503321 005 20210731015207.0 010 $a0-19-938997-7 035 $a(CKB)3710000000223286 035 $a(SSID)ssj0001339797 035 $a(PQKBManifestationID)12584956 035 $a(PQKBTitleCode)TC0001339797 035 $a(PQKBWorkID)11352863 035 $a(PQKB)11476885 035 $a(StDuBDS)EDZ0000743867 035 $a(MiAaPQ)EBC4842443 035 $a(EXLCZ)993710000000223286 100 $a20160829d2014 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMismatched women : the siren's song through the machine 210 1$aNew York :$cOxford University Press,$d2014. 215 $a1 online resource $cillustrations (black and white) 225 1 $aThe Oxford music/media series 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-19-993689-7 320 $aIncludes bibliographical references and index. 330 8 $aThis text tells the history of sound machines through singers whose bodies and voices do not match. Jennifer Fleeger explores this phenomenon, moving from the fictional Trilby to the real-life YouTube star Susan Boyle, and demonstrating along the way that singers with voices that do not match their bodies are essential to the success of technologies for preserving and sharing music. 410 0$aOxford music/media series. 606 $aPopular music$xSocial aspects 606 $aWomen singers 606 $aFemininity in music 606 $aBody image in women 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aMusic Philosophy$2HILCC 615 0$aPopular music$xSocial aspects 615 0$aWomen singers 615 0$aFemininity in music 615 0$aBody image in women 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 615 7$aMusic Philosophy 676 $a306.4/842 700 $aFleeger$b Jennifer$01257769 801 0$bPQKB 906 $aBOOK 912 $a9910154329503321 996 $aMismatched women : the siren's song through the machine$93397120 997 $aUNINA