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200 10$aWatching the red dawn $ethe American avant-garde and the Soviet Union /$fBarnaby Haran$b[electronic resource]
210  1$aManchester :$cManchester University Press,$d2016.
215   $a1 online resource $cillustrations (black and white)
300   $aPreviously issued in print: 2016.
311   $a0-7190-9722-3 
320   $aIncludes bibliographical references and index.
330 8 $aThis title provides an examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice.
606   $aAvant-garde (Aesthetics)$zSoviet Union
606   $aAvant-garde (Aesthetics)$zUnited States
615  0$aAvant-garde (Aesthetics)
615  0$aAvant-garde (Aesthetics)
676   $a700.4110947
700   $aHaran$b Barnaby$01132135
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200 1 $aGlycobiology$fedited by Minoru Fukuda
210   $aAmsterdam [etc.]$cElsevier Academic Press$d2010
215   $aLII, 581 p., [16] p. di tav.$cill.$d24 cm.
225   $aMethods in Enzyology
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