LEADER 03126 am 22005533u 450 001 9910153560703321 005 20200520144314.0 010 $a1-76046-041-9 035 $a(CKB)3880000000044160 035 $a(MiAaPQ)EBC4743575 035 $a(OCoLC)949854435 035 $a(Au-PeEL)EBL4743575 035 $a(CaPaEBR)ebr11298635 035 $a(OCoLC)964403803 035 $a(EXLCZ)993880000000044160 100 $a20161125h20162016 uy 0 101 0 $aeng 135 $aurcn#nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aImaging identity $emedia, memory and portraiture in the digital age /$fedited by Melinda Hinkson 210 1$aActon, Australia :$cAustralian National University Press,$d2016. 210 4$dİ2016 215 $a1 online resource (xvii, 145 pages) $cillustrations (some colour), colour portraits 225 0 $aOpen Access e-Books 225 0 $aKnowledge Unlatched 311 $a1-76046-040-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction: The time of the portrait is now / Melinda Hinkson -- PART I: The work of the imagination -- 1. Rembrandt, or the portrait as encounter / Didier Maleuvre -- 2. Pictures for our time and place: Reflections on painting in a digital age / Melinda Hinkson -- 3. Diasporic looking: Portraiture, diaspora and subjectivity / Gali Weiss -- PART II: Interfaces -- 4. The self-portrait and the film and video essay / John Conomos -- 5. The mutable face / Michele Barker and Anna Munster -- 6. BarkTV: Portrait of an innovator / Jennifer Deger. 330 $aImaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis -- to grapple with the workings of images is to understand something vital of what it is to be human. 606 $aPortraits 606 $aPersonality and culture 606 $aDigital images 606 $aComputer art 608 $aElectronic books. 615 0$aPortraits. 615 0$aPersonality and culture. 615 0$aDigital images. 615 0$aComputer art. 676 $a704.942 702 $aHinkson$b Melinda 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910153560703321 996 $aImaging identity$92133713 997 $aUNINA