LEADER 03145nam 22006131 450 001 9910153178903321 005 20120125100141.0 010 $a1-4411-9990-X 010 $a1-4411-4782-9 010 $a1-4725-4328-9 010 $a1-4411-2260-5 024 7 $a10.5040/9781472543288 035 $a(CKB)2670000000167309 035 $a(EBL)835780 035 $a(OCoLC)781614782 035 $a(SSID)ssj0000624564 035 $a(PQKBManifestationID)12207512 035 $a(PQKBTitleCode)TC0000624564 035 $a(PQKBWorkID)10586019 035 $a(PQKB)10981053 035 $a(MiAaPQ)EBC835780 035 $a(OCoLC)880459207 035 $a(UtOrBLW)bpp09256749 035 $a(EXLCZ)992670000000167309 100 $a20140929d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aThinking in literature $eJoyce, Woolf, Nabokov /$fAnthony Uhlmann 210 1$aNew York :$cContinuum,$d2011. 215 $a1 online resource (266 p.) 300 $aDescription based upon print version of record. 311 $a1-322-14659-4 311 $a1-4411-4056-5 320 $aIncludes bibliographical references (pages [150]-159) and index. 327 $aIntroduction -- Part 1: Literature and Thought. 1. Spinoza and Relation ; 2. Leibniz's 'perception': the Incompossible, the Viewpoint, and the Composition of Sensation ; 3. Composition as the Externalised Expression of Sensation -- Part 2: Thought in Modernist Fiction. 4. James Joyce: the art of Relation ; 5. Virginia Woolf: the art of Sensation ; 6. Vladimir Nabokov: the art of Composition -- Conclusion -- Bibliography. 330 $a"Thinking in Literature examines how the Modernist novel might be understood as a machine for thinking, and how it offers means of coming to terms with what it means to think. It begins with a theoretical analysis, via Deleuze, Spinoza and Leibniz, of the concept of thinking in literature, and sets out three principle elements which continually announce themselves as crucial to the process of developing an aesthetic expression: relation; sensation; and composition. Uhlmann then examines the aesthetic practice of three major Modernist writers: James Joyce, Virginia Woolf, and Vladimir Nabokov. Each can be understood as working with relation, sensation and composition, yet each emphasize the interrelations between them in differing ways in expressing the potentials for thinking in literature."--Bloomsbury Publishing. 606 $aModernism (Literature)$xHistory and criticism 606 $aSenses and sensation in literature 606 $aThought and thinking in literature 606 $2Literary studies: fiction, novelists & prose writers 615 0$aModernism (Literature)$xHistory and criticism. 615 0$aSenses and sensation in literature. 615 0$aThought and thinking in literature. 676 $a823/.9109112 700 $aUhlmann$b Anthony$0686706 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910153178903321 996 $aThinking in literature$92789148 997 $aUNINA