LEADER 04766nam 22006491 450 001 9910153176203321 005 20200514202323.0 010 $a1-5013-1773-3 010 $a1-4411-4589-3 010 $a1-5013-0015-6 010 $a1-4411-4909-0 024 7 $a10.5040/9781501300158 035 $a(CKB)3710000000138837 035 $a(EBL)1718523 035 $a(SSID)ssj0001288608 035 $a(PQKBManifestationID)11865456 035 $a(PQKBTitleCode)TC0001288608 035 $a(PQKBWorkID)11296801 035 $a(PQKB)11368934 035 $a(MiAaPQ)EBC1718523 035 $a(OCoLC)1106557747 035 $a(UtOrBLW)bpp09258156 035 $a(EXLCZ)993710000000138837 100 $a20150227d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeleuze, Japanese cinema, and the atom bomb $ethe spectre of impossibility /$fDavid Deamer 210 1$aNew York :$cBloomsbury,$d2014. 215 $a1 online resource (343 p.) 225 0 $aThinking cinema ;$vv. 1 300 $aDescription based upon print version of record. 311 $a1-322-14663-2 311 $a1-4411-7815-5 320 $aIncludes bibliographical references (pages 309-314) and index. 327 $aList of tables -- List of images -- Acknowledgements -- Introduction: event, cinema, cineosis -- 1. Special images, contingent centres -- Movement-images: Bergson, sensory-motor process -- The Effects of the Atomic Bomb on Hiroshima and Nagasaki (Ito Sueo, 1946) -- Children of the Atom Bomb (Shindo Kaneto, 1952) -- Godzilla (Honda Ishiro, 1954) -- 2. Horizons of history -- Action-images: Nietzsche, history -- Terror of Mechagodzilla (Honda Ishiro, 1975) -- Lucky Dragon No. 5 (Shindo Kaneto, 1959) -- Barefoot Gen (Masaki Mori, 1983) -- Nausicaa of the Valley of the Wind (Hayao Miyazaki, 1984) -- Akira (Katsuhiro Otomo, 1988) -- 3. Traces: symptoms and figures -- Impulse-images; reflection-images: Peirce, semiosis -- The Naked Island (Shindo Kaneto, 1960) -- Dead or Alive (Takashi Miike, 1999) -- Ring (Nakata Hideo, 1998) -- Kwaidan (Kobayashi Masaki, 1964) -- The Face of Another (Teshigahara Hiroshi, 1966) -- Navel and A-bomb (Eikoh Hosoe, 1960) -- Tetsuo (Shinya Tsukamoto, 1989) -- Face of Jizo (Kuroki Kazuo, 2004) -- 4. Consummation (and crisis) -- Mental-images: Bergson, memory -- I Live in Fear (Kurosawa Akira, 1955) -- Rashomon (Kurosawa Akira, 1950) -- Dreams (Kurosawa Akira, 1990) -- Rhapsody in August (Kurosawa Akira, 1991) -- 5. Impure anarchic multiplicities -- Time-images: Deleuze, syntheses of time -- Casshern (Kiriya Kazuaki, 2004) -- The Pacific War (Nagisa Oshima, 1968) -- A History of Postwar Japan as Told by a Bar Hostess (Imamura Shohei, 1970) -- Black Rain (Imamura Shohei, 1989) -- Hiroshima (Sekigawa Hideo, 1953) -- Conclusion: spectres of impossibility -- Notes -- Index -- Select bibliography -- Select filmography 330 $a"David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation political censorship through to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the event permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa's Rashomon, 1951); popular and cult cinema (Godzilla, 1954; world renowned anime, Akira, 1988); the new wave (Nagisa Oshima's Night and Fog in Japan, 1960); and modern classics (Hideo Nakata's Ring, 1998). The author provides a series of monochrome diagrams to clarify and illustrate the concepts and conceptual components explored within the text, establishing a unique addition to Deleuze and cinema studies."--$cProvided by publisher. 410 0$aThinking Cinema 606 $aMotion pictures$xPhilosophy 606 $aMotion pictures$zJapan$xHistory$y20th century 606 $aNuclear warfare in motion pictures 606 $2Film theory & criticism 615 0$aMotion pictures$xPhilosophy. 615 0$aMotion pictures$xHistory 615 0$aNuclear warfare in motion pictures. 676 $a791.430952/09045 686 $aPER004030$aPHI000000$2bisacsh 700 $aDeamer$b David$01242787 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910153176203321 996 $aDeleuze, Japanese cinema, and the atom bomb$92882889 997 $aUNINA