LEADER 05320nam 2200649 a 450 001 9910456826603321 005 20200520144314.0 010 $a1-283-16394-2 010 $a9786613163943 010 $a0-08-095895-8 035 $a(CKB)2550000000040285 035 $a(EBL)720723 035 $a(OCoLC)742421811 035 $a(SSID)ssj0000521496 035 $a(PQKBManifestationID)11366804 035 $a(PQKBTitleCode)TC0000521496 035 $a(PQKBWorkID)10522588 035 $a(PQKB)11060886 035 $a(MiAaPQ)EBC720723 035 $a(CaSebORM)9780240812090 035 $a(Au-PeEL)EBL720723 035 $a(CaPaEBR)ebr10481912 035 $a(CaONFJC)MIL316394 035 $a(EXLCZ)992550000000040285 100 $a20110413d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinematography$b[electronic resource] $etheory and practice : imagemaking for cinematographers and directors /$fBlain Brown 205 $a2nd ed. 210 $aBurlington, Mass. $cFocal Press$d2012 215 $a1 online resource (385 p.) 300 $aDescription based upon print version of record. 311 $a1-136-04737-9 311 $a0-240-81209-3 320 $aIncludes bibliographical references and index. 327 $aFrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling 327 $aVisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits 327 $aDayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure 327 $aExposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights 327 $aImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes 327 $aHigh-SpeedPhotography 330 $aThere's more to being a DP than holdng a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it 606 $aCinematography 608 $aElectronic books. 615 0$aCinematography. 676 $a778.5 700 $aBrown$b Blain$0778057 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456826603321 996 $aCinematography$92035954 997 $aUNINA LEADER 01270nam 2200433 450 001 9910153141003321 005 20230213222805.0 010 $a1-4574-8249-5 035 $a(CKB)3710000000919903 035 $a(MiAaPQ)EBC4727411 035 $a(EXLCZ)993710000000919903 100 $a20161121h19851985 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMass in honor of Saint Joseph$hOpus 21$iFor chorus and organ $echoral score. /$fFlor Peeters 210 1$a[Los Angeles, California] :$cKalmus,$d[1985] 210 4$dİ[1985] 215 $a1 online resource (67 pages) $cillustrations 225 1 $aA Kalmus Classic Edition ;$v06359 311 $a0-7692-4568-4 410 0$aKalmus classic edition ;$v06359. 606 $aMasses$vVocal scores with organ 606 $aChoruses, Sacred (Mixed voices) 606 $aMasses 615 0$aMasses 615 0$aChoruses, Sacred (Mixed voices) 615 0$aMasses. 676 $a783 700 $aPeeters$b Flor$01275332 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910153141003321 996 $aMass in honor of Saint Joseph$93005411 997 $aUNINA