LEADER 03566oam 22005414a 450 001 9910482012403321 005 20250905110031.0 010 $a9780700602261 010 $a0700602267 035 $a(CKB)5590000000429739 035 $a(OCoLC)1227916161 035 $a(MdBmJHUP)muse95544 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88508 035 $a(MiAaPQ)EBC31554390 035 $a(Au-PeEL)EBL31554390 035 $a(Perlego)4507878 035 $a(OCoLC)1440383538 035 $a(oapen)doab88508 035 $a(ODN)ODN0011025050 035 $a(EXLCZ)995590000000429739 100 $a19981202d1982 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Cattle Guard$eIts History and Lore 205 $a1st ed. 210 $cUniversity Press of Kansas$d1982 210 1$aLawrence, Kan. :$cUniv. Press of Kansas,$d1982. 210 4$dİ1982. 215 $a1 online resource (XX, 233 Seiten) : $cIllustrationen, Diagramme 311 08$a9780700631001 311 08$a0700631003 327 $aCover -- Title Page -- Dedication -- List of Illustrations -- Foreword -- Preface -- 1. The Cattle Guard: An Overview -- 2. The Need for Cattle Guards -- 3. Cattle-Guard Innovators, 1900 to 1920 -- 4. The Spread of Cattle Guards, 1920 to 1930 -- 5. The Railroad Cattle Guard -- 6. Cornish Stiles, Lich Gates, and Cattle Guards -- 7. Lore about Cattle Guards -- 8. Unusual Cattle Guards -- 9. Makers of Cattle Guards -- 10. The Economics of Cattle Guards -- 11. Cattle Guards Around the World -- Appendix -- Sources of Information -- List of Contributors of Information -- Index -- Back Cover. 330 $aWith this study the cattle guard joins the sod house, the windmill, and barbed wire as a symbol of range country on the American Great Plains. A U.S. folk innovation now in use throughout the world, the cattle guard functions as both a gate and a fence: it keeps livestock from crossing, but allows automobiles and people to cross freely. The author blends traditional history and folklore to trace the origins of the cattle guard and to describe how, in true folk fashion, the device in its simplest form?wooden poles or logs spaced in parallel fashion over a pit in the roadway?was reinvented and adapted throughout livestock country.Hoy traces the origins of the cattle guard to flat stone stiles unique to Cornwall, England, then through the railroad cattle guard, in use in this country as early as 1836, and finally to the Great Plains where, probably in 1905, the first ones appeared on roads. He describes regional variations in cattle guards and details unusual types. He provides information on cattleguard makers, who range from local blacksmiths and welders to farmers and ranchers to large manufacturers.In addition to documenting the economic and cultural significance of the cattle guard, this volume reveals much about early twentiethcentury farm and ranch life. It will be of interest not only to folklorists and historians of agriculture and Western America, but also to many Plainsarea farmers, ranchers, and oilmen. 606 $aRural communities$2bicssc 608 $aElectronic books. 610 $aRural communities 615 7$aRural communities 676 $a636.2/01 700 $aHoy$b James F$01023124 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910482012403321 996 $aThe Cattle Guard$92430578 997 $aUNINA LEADER 05398oam 2200601I 450 001 9910151751903321 005 20240501161750.0 010 $a1-00-308663-2 010 $a1-000-18375-0 010 $a1-000-18051-4 010 $a1-003-08663-2 010 $a1-4742-8021-8 010 $a1-4742-8020-X 035 $a(CKB)3710000000952087 035 $a(MiAaPQ)EBC4744163 035 $a(OCoLC)1158313720 035 $a(OCoLC-P)1158313720 035 $a(FlBoTFG)9781003086635 035 $a(EXLCZ)993710000000952087 100 $a20200615e20202017 uy 0 101 0 $aeng 135 $aurcnu|||unuuu 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aSensory arts and design /$fedited by Ian Heywood 205 $a1st ed. 210 1$aAbingdon, Oxon ;$aNew York, NY :$cRoutledge, Taylor & Francis Group,$d2020. 215 $a1 online resource (281 pages) $cillustrations 225 1 $aSensory studies series,$x2052-3092 300 $a"First published 2017 by Bloomsbury Academic." 311 08$a1-350-08010-1 311 08$a1-4742-8019-6 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: -- List of Illustrations -- Notes on Contributors Introduction -- Ian Heywood, LICA, Lancaster University, UK Part I: Sensory Arts and Design, New Technologies and the Urban Environment Shadowplay: Liberation and Exhilaration in Cities at Night -- Nick Dunn, LICA, Lancaster University, UK -- The Role of Playfulness ans Sensory Experiences in Design for Public Health and for Ageing Well -- Emmanuel Tsekleves, Imagination Lancaster, Lancaster University, UK and Andy Darby, LICA, Lancaster University, UK Can We Give Ourselves Extra Senses? Exploring Sensory Augmentation -- Naomi Jacobs, LICA, Lancaster University, UK, and Jonny Huck, Manchester University, UK -- Sonifying Memory: Creative Approaches to Representing Socially Constructed Soundscapes -- Linda O'Keeffe, LICA, Lancaster University, UK Part II: The Range of Sensory Arts and Design: Extensions, Realizations and Capacities -- Scented Colours: The Role of Olfaction in Futurism and Olfactory (Re-)constructions -- Caro Verbeek, Royal Academy of Arts in The Hague and Rijksmuseum, the Netherlands -- Museums of Good Taste, Artworks of Good Taste: Gastronomic Contemporary Art -- Mark Clintberg, Alberta College of Art and Design, Canada The 2015 Chicago Architecture Biennial: The State of Sensory Design -- Joy Malnar, University of Illinois at Urbana-Champaign, USA Music: Seeing and Feeling With the Ears -- Alan Marsden and Richard Leadbeater, LICA, Lancaster University UK Part III: Vision, Touch and Technologies of Sense -- Art Spectatorship and the Senses: An Eye Movement Analysis Exploring the Experience of Viewing Paintings and Reproductions -- Beth Harland, LICA, Lancaster University, UK and Nick Donnelly, University of Southampton, UK -- Sensing Atoms and Bits -- Paul Coulton, Imagination Lancaster, Lancaster University, UK Drawn Away from Vision: Encounters with the Unseen -- Sarah Casey and Gerry Davies, LICA, Lancaster University, UK From Impressionism to Opticality: An Episode in the Sensory History of Art -- Ian Heywood, LICA, Lancaster University, UK A Choreography of the Senses: The Painter's Studio -- Pip Dickens, LICA, Lancaster University, UK Index. 330 $aArtists, designers and researchers are increasingly seeking new ways to understand and explore the creative and practical significance of the senses. This ground-breaking book brings art and design into the field of sensory studies providing a clear introduction to the field and outlining important developments and new directions. A compelling exploration of both theory and practice, Sensory Arts and Design brings together a wide variety of examples from contemporary art and design which share a sensory dimension in their development or user experience. Divided into three parts, the book examines the design applications of new technology with sensing capacities; the role of the senses in creating new imaginative environments; and the significance of the senses within different cultural practices. The thirteen chapters cover a highly diverse range of issues - from the urban environment, architecture and soundscapes to gustatory art, multisensory perception in painting, music and drawing, and the relationship between vision and smell. Initiated by Insight, a research group at Lancaster Institute for the Contemporary Arts -widely recognised as a center of research excellence - the project brings together a team of experts from Britain, Europe and North America. This timely book is destined to make a significant contribution to the scholarly development of this emerging field. An important read for students and scholars in sensory studies, design, art, and visual culture. 410 0$aSensory studies series. 606 $aCulture 606 $aSenses and sensation 606 $aDesign$xPsychological aspects 615 0$aCulture. 615 0$aSenses and sensation. 615 0$aDesign$xPsychological aspects. 676 $a306 676 $a306 686 $aSOC002010$2bisacsh 702 $aHeywood$b Ian$f1948- 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910151751903321 996 $aSensory arts and design$92885207 997 $aUNINA