LEADER 04083oam 22007574a 450 001 9910151739803321 005 20190509223214.0 010 $a1-77112-134-3 010 $a1-77112-133-5 024 7 $a10.51644/9781771121330 035 $a(CKB)3710000000935842 035 $a(MiAaPQ)EBC4767161 035 $a(MdBmJHUP)muse46157 035 $a(OCoLC)904473048 035 $a(DE-B1597)667779 035 $a(DE-B1597)9781771121330 035 $a(EXLCZ)993710000000935842 100 $a20150227d2015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aSonosyntactics$b[electronic resource] $eSelected and New Poetry of Paul Dutton /$fselected with an introduction by Gary Barwin and an afterword by Paul Dutton 210 1$aWaterloo, Ontario :$cWilfrid Laurier University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (109 pages) $cillustrations 225 1 $aLaurier poetry 311 $a1-77112-132-7 327 $tFront Matter -- $tTable of Contents -- $tForeword -- $tBiographical Note -- $tIntroduction -- $tfrom Partial 2 in The Four Horsemen?s Horse d?Oeuvres -- $tfrom The Book of Numbers -- $tfrom Right Hemisphere, Left Ear -- $tfrom The Four Horsemen?s The Prose Tattoo -- $tfrom Visionary Portraits -- $tfrom Aurealities -- $tfrom The Plastic Typewriter -- $tfrom Partial Additives (Visuals by Bob Cobbing) -- $tNew Poems 1991?2014 -- $tAfterword -- $tAcknowledgements -- $tBooks in the Laurier Poetry Series 330 $aSonosyntactics introduces the reader to over forty-five years of Paul Dutton?s diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most significant and characteristic poetry together with a generous selection of uncollected new work. Sonosyntactics demonstrates Dutton?s willingness to (re)invent and stretch language and to listen for new possibilities while at the same time engaging with his perennial concerns?love, sex, music, time, thought, humour, the materiality of language, and poetry itself. Gary Barwin?s introduction outlines the major subjects and techniques of Dutton?s poetry: an intricate weaving of thought and language, sound and emotion, sound and sense, and the unfolding of a text through the logic of language play such as puns, paradoxes, ambiguity, and sound relations. In an afterword by Dutton himself, the poet insightfully lays out the terms of his engagement with the materiality?both visual and aural?of language, often beyond the purely recountable, representational, or depictive. 410 0$aLaurier poetry series. 606 $aCanadian poetry$x21st century 606 $aCanadian poetry$y21st century 606 $aPOETRY / Canadian$2bisacsh 608 $aElectronic books. 610 $aCanadian literature. 610 $aCanadian poetry. 610 $aFour Horsemen. 610 $aGary Barwin. 610 $aPaul Dutton. 610 $aconcrete poetry. 610 $adirty concrete. 610 $aexperimental poetry. 610 $ajazz poetry. 610 $alyric poetry. 610 $anarrative poetry. 610 $apoetry. 610 $aprose poetry. 610 $aserial poetry. 610 $asound poetry. 610 $atypewriter art. 610 $atypewriter poetry. 610 $avispo. 610 $avisual poetry. 615 0$aCanadian poetry$x21st century. 615 0$aCanadian poetry 615 7$aPOETRY / Canadian. 676 $a811.008 700 $aDutton$b Paul$f1943-$0861702 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910151739803321 996 $aSonosyntactics$91922847 997 $aUNINA