LEADER 04370oam 22006014a 450 001 9910151739503321 005 20190314215120.0 010 $a9781771122160 010 $a1771122161 024 7 $a10.51644/9781771122177 035 $a(CKB)3710000000941804 035 $a(MiAaPQ)EBC4767164 035 $a(MdBmJHUP)muse56077 035 $a(OCoLC)964360094 035 $a(PPN)250539012 035 $a(DE-B1597)667916 035 $a(DE-B1597)9781771122177 035 $a(FR-PaCSA)88899483 035 $a(FRCYB88899483)88899483 035 $a(Perlego)1706898 035 $a(EXLCZ)993710000000941804 100 $a20151204d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBarking & Biting $eThe Poetry of Sina Queyras /$fselected with an introduction by Erin Wunker and an afterword by Sina Queyras 210 1$aWaterloo, Ontario :$cWilfrid Laurier University Press,$d2016. 210 4$dİ2016 215 $a1 online resource (88 pages) 225 1 $aLaurier poetry series 311 08$a9781771122184 311 08$a1771122188 311 08$a9781771122177 311 08$a177112217X 327 $tFront Matter -- $tTable of Contents -- $tForeword -- $tBiographical Note -- $tOf Genre, Gender, and Genealogy: The Poetry of Sina Queyras -- $tSlip -- $tTeethmarks -- $tLemon Hound -- $tExpressway -- $tMxT -- $t"Lyric Conceptualism, A Manifesto in Progress" -- $tAcknowledgements -- $tBooks in the Laurier Poetry Series 330 $aThis collection brings together representative work from Sina Queyras's poetic oeuvre. Queyras is at the forefront of contemporary discussions of genre, gender, and criticism of poetry. Her influential blog-turned-literary-magazine, Lemon Hound, published up-and-coming writers as well as work by established literary figures in Canada and abroad. The title, Barking & Biting, makes reference to the tagline of Lemon Hound: "more bark than bite." Erin Wunker's introduction situates Queyras's poetry within ongoing debates around genre and gender. It suggests that Queyras's writing, be it literary critical, poetic, or prose, is precise and probing but avoids toothless critical positioning. It pays particular attention to Queyras's poetic innovations and intertextual references to other women writers, and suggests that read together Queyras's oeuvre embodies an engaged feminist attention-what Joan Retallack has called a "poethics," where poetry and ethics are bound together as a mode of inquiry and aesthetics. Queyras's poems trace a consistent concern with both poetic genealogies and the status of women. Thus far, twenty-first century poetics have been preoccupied with two ongoing conversations: the perceived divide between lyric and conceptual writing, and the underrepresentation of women and other non-dominant subjects. While these two topics may seem epistemologically and ethically separate, they are in fact irrevocably intertwined. Questions of form are, at their root, questions of visibility and recognizability. Will the reader know a poem when she sees it? And will that seeing alter her perception of the world? And how is the form of the poem altered, productively or un-, by the identity politics of its author? These are the questions that undergird Queyras's poetry and guide the editorial selections. Queyras's poetics pay dogged attention to questions of both representation and genre. In each of her poetry collections she inhabits tenets of the traditional lyric but leverages the genre open to let conceptualism in. This is demonstrated in her afterword, "Lyric Conceptualism, a Manifesto in Progress," which was first published on the Poetry Foundation's Harriet the Blog. In it Queyras puts forward a set of maxims about the possibilities of a new hybrid, the conceptual lyric poem. 410 0$aLaurier poetry series. 606 $aCanadian poetry$y21st century 606 $aCanadian poetry 606 $aPOETRY / Canadian$2bisacsh 608 $aElectronic books. 615 0$aCanadian poetry 615 0$aCanadian poetry. 615 7$aPOETRY / Canadian. 676 $a811.6080971 700 $aQueyras$b Sina$f1963-$0947725 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910151739503321 997 $aUNINA