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100   $a20080307d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHarmony and dissent$b[electronic resource] $efilm and avant-garde art movements in the early twentieth century /$fR. Bruce Elder
210   $a[Waterloo, Ont.] $cWilfrid Laurier University Press$dc2008
215   $a1 online resource (517 p.)
225 1 $aFilm and media studies series
300   $aDescription based upon print version of record.
311   $a1-55458-226-1 
311   $a1-55458-028-5 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgements; PART 1 MODERNISM AND THE ABSOLUTE FILM: THE OVERCOMING OF REPRESENTATION; PART 2 MODERNISM AND REVOLUTION: CONSTRUCTIVISM BETWEEN MARXISM AND THEOLOGY; Concluding Unscientific Postscript; Appendix: Viking Eggeling's Diagonal-Symphonie: An Analysis; Index
330   $a  R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape.     To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concern
410  0$aFilm + media studies.
606   $aArt and motion pictures
606   $aAvant-garde (Aesthetics)
606   $aModernism (Art)
608   $aElectronic books.
615  0$aArt and motion pictures.
615  0$aAvant-garde (Aesthetics)
615  0$aModernism (Art)
676   $a700
700   $aElder$b Bruce$g(R. Bruce)$0900169
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910151711103321
996   $aHarmony and dissent$92011040
997   $aUNINA