LEADER 03467nam 2200613 450 001 9910151695903321 005 20210817111955.0 010 $a1-315-57530-2 010 $a1-317-15642-0 010 $a1-317-15643-9 024 7 $a10.4324/9781315575308 035 $a(CKB)3710000000952583 035 $a(MiAaPQ)EBC4746130 035 $a(OCoLC)963932037 035 $a(OCoLC)1264209376 035 $a(CaBNVSL)9781315575308 035 $a(EXLCZ)993710000000952583 100 $a20210817h20212016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCultural histories of noise, sound and listening in Europe, 1300-1918 /$fedited by Ian Biddle and Kirsten Gibson 205 $aFirst edition. 210 1$aLondon, England :$cZed Books,$d2016. 210 2$a[London, England] :$cBloomsbury Publishing,$d2021 215 $a1 online resource (306 pages) $cillustrations 311 $a1-4094-4439-2 320 $aIncludes bibliographical references and index. 327 $aSection 1. Historicizing aurality : introduction / Ian Biddle and Kirsten Gibson -- Section 2. Sound politics : introduction / Ian Biddle and Kirsten Gibson -- Section 3. Urban soundscapes of Europe : introduction / Ian Biddle and Kirsten Gibson. 330 $aCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the Ancien Re?gime; and the sounds of the city in the nineteenth century and sound and colonial rule at the fin de sie?cle. The case studies also range in geographical orientation to include considerations not only of Britain and France, the countries most considered in European historical sound studies in English-language scholarship to date, but also Bosnia-Herzegovina, British Colonial India, Germany, Italy and Portugal. Out of this diverse group of case studies emerge significant themes that recur time and again, varying according to time and place: sound, power and identity; sound as a marker of power or violence; and sound, physiology and sensory perception and technologies of sound, consumption and meaning.--$cProvided by Publisher. 606 $aMusic$xSocial aspects$zEurope$xHistory 606 $aSound$xSocial aspects$zEurope$xHistory 606 $aNoise$xSocial aspects$zEurope$xHistory 606 $aNoise 606 $aSound 606 $aMusic$xhistory 615 0$aMusic$xSocial aspects$xHistory. 615 0$aSound$xSocial aspects$xHistory. 615 0$aNoise$xSocial aspects$xHistory. 615 12$aNoise. 615 22$aSound. 615 22$aMusic$xhistory. 676 $a306.4/842094 702 $aBiddle$b Ian D. 702 $aGibson$b Kirsten$f1978- 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910151695903321 996 $aCultural histories of noise, sound and listening in Europe, 1300-1918$93587854 997 $aUNINA