LEADER 00655nam0-22002651i-450- 001 990003329190403321 005 20001010 035 $a000332919 035 $aFED01000332919 035 $a(Aleph)000332919FED01 035 $a000332919 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aDe Baudelaire au Surr?lisme . 210 $aParis$cJos ?Corti$d1969 . 676 $a214 700 1$aRaymond Marcel$0377196 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003329190403321 952 $a214 RAY$bLINGUE 791$fDECLI 959 $aDECLI 997 $aUNINA DB $aING01 LEADER 03543nam 2200577 450 001 9910464941203321 005 20200520144314.0 010 $a94-012-1090-X 024 7 $a10.1163/9789401210904 035 $a(CKB)3710000000129340 035 $a(EBL)1686642 035 $a(SSID)ssj0001331297 035 $a(PQKBManifestationID)11793887 035 $a(PQKBTitleCode)TC0001331297 035 $a(PQKBWorkID)11336356 035 $a(PQKB)10120554 035 $a(MiAaPQ)EBC1686642 035 $a(OCoLC)880134232$z(OCoLC)880370110 035 $a(nllekb)BRILL9789401210904 035 $a(Au-PeEL)EBL1686642 035 $a(CaPaEBR)ebr10883316 035 $a(CaONFJC)MIL811840 035 $a(OCoLC)881568345 035 $a(EXLCZ)993710000000129340 100 $a20140626h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDarwin becomes art $eaesthetic vision in the wake of Darwin: 1870-1920 /$fHugh Ridley 210 1$aAmsterdam, Netherlands :$cRodopi,$d2014. 210 4$d©2014 215 $a1 online resource (236 p.) 225 1 $aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v175 300 $aDescription based upon print version of record. 311 $a90-420-3847-0 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Alexander von Humboldt Sets the Theme -- Darwin and the German Public -- Naturalism in Nature -- Naturalism and the Objective Eye: Bird Portraiture between Art and Photography -- Objectivizing Feeling: The Novel, Acting, and Darwin?s: The Expression of the Emotions in Man and Animals -- Bibliography -- Index -- Appeared earlier in the series: INTERNATIONALE FORSCHUNGEN ZUR ALLGEMEINEN UND VERGLEICHENDEN LITERATURWISSENSCHAFT. 330 $aThis book analyses Darwin?s influence on art and the effect of his science on experiences of beauty. The first chapter discusses Darwin?s great forerunner, Alexander von Humboldt, and his contribution to thinking about the relationship between science and beauty. The second examines the public reception of Darwin in Germany, focusing on the German Naturalists and the important scientific controversies which Darwin?s idea provoked. It shows the political use of science (Häckel and Virchow) and foreshadows present-day debates between Darwinism and Creationism, science and an idealized view of nature. Against this background the book shows the effect of Darwin on three important fields: the perception of landscape in major writers (Zola, Lawrence, Jacobsen, Benn and Brecht) before 1920; the portrayal of wild life, as revealed in bird-painting; and the understanding of the relationship between the human body and character. The book brings together for the first time Darwin?s The Expression of Emotion with the work of major European novelists (Eliot, Gutzkow and Freytag), focusing on the place of the older understandings contained in physiognomy, which Darwin challenged, on the portrayal of ethnicity, and on debates about acting, including for the young Brecht. 410 0$aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v175. 608 $aElectronic books. 676 $a575.00924 700 $aRidley$b Hugh$0242977 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464941203321 996 $aDarwin becomes art$92267429 997 $aUNINA LEADER 02790nam 2200613 450 001 9910151650003321 005 20210210023921.0 010 $a1-283-73351-X 010 $a0-273-75017-8 035 $a(CKB)3460000000084300 035 $a(SSID)ssj0000686316 035 $a(PQKBManifestationID)12236993 035 $a(PQKBTitleCode)TC0000686316 035 $a(PQKBWorkID)10731148 035 $a(PQKB)11697150 035 $a(MiAaPQ)EBC5175653 035 $a(MiAaPQ)EBC5173792 035 $a(MiAaPQ)EBC5832463 035 $a(MiAaPQ)EBC5248169 035 $a(MiAaPQ)EBC6401375 035 $a(Au-PeEL)EBL5248169 035 $a(CaONFJC)MIL404601 035 $a(OCoLC)1027177538 035 $a(CaSebORM)9780273746430 035 $a(EXLCZ)993460000000084300 100 $a20190816d2011 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Financial Times guide to business numeracy $ehow to check the figures for yourself /$fLeo Gough 205 $aSecond edition. 210 1$aHarlow, England :$cFinancial Times Prentice Hall,$d[2011] 210 4$d©2011 215 $a1 online resource (xi, 222 pages) $cillustrations 225 1 $aFinancial Times guides 300 $aIncludes index. 311 $a0-273-74643-X 327 $aDealing with large amounts of information : how to summarise and describe it -- Analysing large amounts of information : market surveys, polls and social behaviour -- Charts : presenting the data -- Forecasting : time series analysis and regression analysis -- Key decision-making tools -- Finance and investment -- The stock markets : some theories and techniques -- Probability -- Conclusion. 330 $aWhether you need to understand other people’s calculations to make confident business decisions, or formulate investment choices based on your own numbers, this book will give you the tools you need. Banks and financial institutions, businesses and politicians often spin their statistics as they know they can rely on customers or constituents not to understand or check maths and formulas. This book introduces you to the basic tools of maths, statistics and business calculations so that that you can understand the numbers, work out your own calculations and make better investing, saving and business decisions. 517 3 $aGuide to business numeracy 517 3 $aBusiness numeracy 606 $aBusiness mathematics 615 0$aBusiness mathematics. 676 $a650.01/513 700 $aGough$b Leo$01164591 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910151650003321 996 $aThe Financial Times guide to business numeracy$92715048 997 $aUNINA