LEADER 03051oam 2200529M 450 001 9910150349203321 005 20240501155700.0 010 $a1-317-30324-5 010 $a1-138-12294-7 010 $a1-315-64918-7 024 7 $a10.4324/9781315649184 035 $a(CKB)3710000000932721 035 $a(MiAaPQ)EBC4741392 035 $a970388871 035 $a(OCoLC)965707305 035 $a(OCoLC-P)965707305 035 $a(FlBoTFG)9781315649184 035 $a(EXLCZ)993710000000932721 100 $a20161124h20172017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFree jazz, harmolodics, and Ornette Coleman /$fStephen Rush 205 $a1st ed. 210 1$aNew York, New York ;$aLondon [England] :$cRoutledge,$d2017. 210 4$dİ2017 215 $a1 online resource (319 pages) $cillustrations, photographs 311 $a1-138-12292-0 311 $a1-317-30325-3 320 $aIncludes bibliographical references and index. 327 $a1. Historical context -- 2. An introduction to harmolodics -- 3. Transposition and harmolodics -- 4. A definition of harmolodics: the shape of jazz to come : "Peace warriors" (quartet version) -- 5. An argument for a harmolodic approach to jazz instruction : "Kathelin Gray" and "Peace" -- 6. An interview with Ornette Coleman, with reflections -- 7. Post-interview reflections -- 8. Analysis and transcription of harmolodic compositions -- 9. Full transcriptions of all solos. 330 $a"Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman's musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman's position as the developer of a logical--and historically significant--system of jazz improvisation. Included here are detailed musical analyses of improvisations, accompanied by full transcriptions. Intimate interviews between the author and Coleman explore the deeper issues at work in Harmolodics, issues of race, class, sex, and poverty. The principle of human equality quickly emerges as a central tenet of Coleman's life and music. Harmolodics is best understood when viewed in its essential form, both as a theory of improvisation and as an artistic expression of racial and human equality" -- From the publisher. 606 $aFree jazz$xAnalysis, appreciation 606 $aImprovisation (Music) 615 0$aFree jazz$xAnalysis, appreciation. 615 0$aImprovisation (Music) 676 $a788.7/165092 676 $a788.7165092 700 $aRush$b Stephen$f1958-$0923065 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910150349203321 996 $aFree jazz, harmolodics, and Ornette Coleman$92071154 997 $aUNINA