LEADER 03177oam 22005654 450 001 9910150198103321 005 20231218195905.0 010 $a0-8223-7367-X 024 7 $a10.1515/9780822373674 035 $a(CKB)3710000000942261 035 $a(MiAaPQ)EBC4742062 035 $a(OCoLC)1139631435 035 $a(MdBmJHUP)muse78756 035 $a960642910 035 $a(DE-B1597)552215 035 $a(DE-B1597)9780822373674 035 $a(OCoLC)971074752 035 $a(PPN)242003192 035 $a(EXLCZ)993710000000942261 100 $a20161013d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aQueer cinema in the world /$fKarl Schoonover and Rosalind Galt 210 1$aDurham :$cDuke University Press,$d2016. 215 $a1 online resource (409 pages) $cillustrations, photographs 311 $a0-8223-6261-9 311 $a0-8223-6246-5 320 $aIncludes bibliographical references and index. 327 $aFigures in the world: the geopolitics of the transcultural queer -- A worldly affair : queer film festivals and global space -- Speaking otherwise : allegory, narrative, and queer public space -- The queer popular : genre and perverse economies of scale -- Registers of belonging : queer worldly affects -- The emergence of queer cinematic time. 330 $aProposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe?institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging. 606 $aHomosexuality in motion pictures 606 $aHomosexuality and motion pictures 606 $aMotion pictures$xPolitical aspects 606 $aMass media and gay people$xPolitical aspects 615 0$aHomosexuality in motion pictures. 615 0$aHomosexuality and motion pictures. 615 0$aMotion pictures$xPolitical aspects. 615 0$aMass media and gay people$xPolitical aspects. 676 $a791.43653 700 $aSchoonover$b Karl$01116229 702 $aGalt$b Rosalind 801 0$bNDD 801 1$bNDD 906 $aBOOK 912 $a9910150198103321 996 $aQueer cinema in the world$92867254 997 $aUNINA