LEADER 03352oam 22005294a 450 001 9910150196303321 005 20170922081352.0 010 $a1-4529-5258-2 035 $a(CKB)3710000000942279 035 $a(MiAaPQ)EBC4525977 035 $a(OCoLC)937062440 035 $a(MdBmJHUP)muse54175 035 $a(BIP)78938411 035 $a(BIP)54716541 035 $a(EXLCZ)993710000000942279 100 $a20160129d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMirror Affect $eSeeing Self, Observing Others in Contemporary Art /$fCristina Albu 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d2016. 210 4$dİ2016 215 $a1 online resource (312 pages) 300 $aIncludes index. 311 08$a1-5179-0006-9 320 $aIncludes bibliographical references and index. 327 $aIntroduction: seeing ourselves seeing -- Mirror frames: spectators in the spotlight -- Mirror screens: wary observers under the radar -- Mirror intervals: prolonged encounters with others -- Mirror portals: unpredictable connectivity in responsive environments -- Conclusion: networked spectatorship. 330 $a For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control.  In Mirror Affect , Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists' strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems. From sculpture and performance to art and technology projects, video art, and installation art, Mirror Affect analyzes forms of interpersonal spectatorship, revising and expanding current historiographies of participatory art. 606 $aArt, Modern$y21st century$xThemes, motives 606 $aArt, Modern$y20th century$xThemes, motives 606 $aReflection (Optics) in art 606 $aVisual perception in art 608 $aElectronic books. 615 0$aArt, Modern$xThemes, motives. 615 0$aArt, Modern$xThemes, motives. 615 0$aReflection (Optics) in art. 615 0$aVisual perception in art. 676 $a701/.18 700 $aAlbu$b Cristina$01248387 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910150196303321 996 $aMirror Affect$92893428 997 $aUNINA