LEADER 01832nam 2200577 450 001 9910453148203321 005 20200520144314.0 010 $a1-4438-5335-6 035 $a(CKB)2550000001128023 035 $a(StDuBDS)AH25702783 035 $a(SSID)ssj0001130218 035 $a(PQKBManifestationID)11632138 035 $a(PQKBTitleCode)TC0001130218 035 $a(PQKBWorkID)11086012 035 $a(PQKB)10369205 035 $a(MiAaPQ)EBC1477556 035 $a(Au-PeEL)EBL1477556 035 $a(CaPaEBR)ebr10778106 035 $a(CaONFJC)MIL528657 035 $a(OCoLC)859834205 035 $a(EXLCZ)992550000001128023 100 $a20131109d2013 uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAdapting Gaskell $escreen and stage versions of Elizabeth Gaskell's fiction /$fedited by Loredana Salis 205 $a1. 210 1$aNewcastle upon Tyne, UK :$cCambridge Scholars Publishing,$d2013. 215 $a1 online resource (Cambridge Scholars Publishing.) 225 0$aLoredana Salis is Researcher in English Literature at the 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4438-5141-8 311 $a1-299-97406-6 320 $aIncludes bibliographical references. 330 8 $aWorld 606 $aFilm adaptations$xHistory and criticism 606 $aStage adaptations$xHistory and criticism 608 $aElectronic books. 615 0$aFilm adaptations$xHistory and criticism. 615 0$aStage adaptations$xHistory and criticism. 676 $a181 701 $aSalis$b Loredana$0951662 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453148203321 996 $aAdapting Gaskell$92151449 997 $aUNINA LEADER 03090nam 22006135 450 001 9910150193303321 005 20240322030321.0 010 $a9781137329936 010 $a1137329939 024 7 $a10.1057/978-1-137-32993-6 035 $a(CKB)3710000000942309 035 $a(DE-He213)978-1-137-32993-6 035 $a(MiAaPQ)EBC4738467 035 $a(Perlego)3486472 035 $a(EXLCZ)993710000000942309 100 $a20161109d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIrony in Film /$fby James MacDowell 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XII, 220 p. 25 illus., 14 illus. in color.) 225 1 $aPalgrave Close Readings in Film and Television,$x2634-6141 311 08$a9781137329929 311 08$a1137329920 320 $aIncludes bibliographical references at the end of each chapters and index. 330 $a'An excellent, original, lucid and rigorous analysis of various dimensions of irony in film: highly recommended' - Geoff King, Professor of Film Studies, Brunel University London Irony in Film is the first book about ironic expression in this medium. We often feel the need to call films or aspects of them ironic; but what exactly does this mean? How do films create irony? Might certain features of the medium help or hinder its ironic potential? How can we know we are justified in dubbing any film or moment ironic? This book attempts to answer such questions, investigating in the process crucial and under-examined issues that irony raises for our understanding of narrative filmmaking. A much-debated subject in other disciplines, in film scholarship irony is habitually referred to but too seldom explored. Combining in-depth theorising with detailed close analysis, this pioneering study asks what ironic capacities films might possess, how film style may be used ironically, and what role intention should play in film interpretation. The proposed answers have significance for our understanding of not only ironic filmmaking, but the nature of expression in this medium. 410 0$aPalgrave Close Readings in Film and Television,$x2634-6141 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aEthnology$zAmerica 606 $aCulture 606 $aAesthetics 606 $aFilm and Television Studies 606 $aAmerican Culture 606 $aAesthetics 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aEthnology 615 0$aCulture. 615 0$aAesthetics. 615 14$aFilm and Television Studies. 615 24$aAmerican Culture. 615 24$aAesthetics. 676 $a791.4 686 $a778.2$2njb/9 700 $aMacDowell$b James$4aut$4http://id.loc.gov/vocabulary/relators/aut$01063654 906 $aBOOK 912 $a9910150193303321 996 $aIrony in Film$92533441 997 $aUNINA