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010   $a9786612336621
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100   $a20170105h20162016  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAdsensory financialisation /$fby Pamela Odih
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2016.
210  4$dİ2016
215   $a1 online resource (248 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-9531-8 
311   $a1-4438-1000-2 
320   $aIncludes bibliographical references and index.
330   $aImagining the Self, Constructing the Past celebrates the various ways in which the Middle Ages and the Renaissance are adapted, recollected, and represented in our own day and age. Most of the chapters fit broadly into one of three categories: namely, the representation of the self in medieval and early modern history and literature; the recollection and utilization of the past in the Middle Ages and the Renaissance; and the role of the medieval and the early modern in our own society. Overall, the contributions to this volume bear witness to the importance of representation to our understandi
606   $aWearable technology$xEconomic aspects
606   $aWearable technology$xSocial aspects
606   $aAdvertising$xSocial aspects
608   $aElectronic books.
615  0$aWearable technology$xEconomic aspects.
615  0$aWearable technology$xSocial aspects.
615  0$aAdvertising$xSocial aspects.
676   $a659.1042
700   $aOdih$b Pamela$0899982
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910150186603321
996   $aAdsensory financialisation$92010832
997   $aUNINA