LEADER 03220oam 22004694a 450 001 9910149535003321 005 20240122120552.0 010 $a1-945414-11-1 035 $a(CKB)3710000000934019 035 $a(MiAaPQ)EBC4734161 035 $a(OCoLC)962435675 035 $a(MdBmJHUP)muse56523 035 $a(NjHacI)993710000000934019 035 $a(EXLCZ)993710000000934019 100 $a20160804d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBeing a Skull$b[electronic resource] $eSite, Contact, Thought, Sculpture /$fGeorges Didi-Huberman 205 $a1st edition. 210 1$aMinneapolis, Minnesota :$cUnivocal,$d[2016] 210 4$dİ[2016] 215 $a1 online resource (98 pages) $cillustrations, photographs 225 1 $aUnivocal 311 $a1-937561-70-4 320 $aIncludes bibliographical references. 327 $aBeing a box. Paul Richer and the cranial box -- Being an onion. Leonardo da Vinci and the depth of the skull -- Being a snail. Albrecht Durer and the "transfer" of human heads -- E^tre al^tre. "Psyche is extended and knows nothing" -- Being a river. Essere fiume : Penone, sculptor of altre -- Being a dig. Sculpture as material anamnesis : to do a dig -- Being a fossil. A sculpture whose task will be to touch thought -- Being a leaf. Sculpture works with traces rather than with objects -- Being a site. A site for getting lost, a site for disproving space and turning it upside down. 330 $aWhat would a sculpture look like that has as its task totouch thought?For the French philosopher and Art Historian, Georges Didi-Huberman, this is the central question that permeates throughout the work of Italian artist Giuseppe Penone. Through a careful study of Penone's work regarding a sculptural and haptic process of contact with place, thought, and artistic practice, Didi-Huberman takes the reader on a journey through various modes of thinking by way of being. Taking Penone's artwork "Being the river" as a thematic starting point, Didi-Huberman sketches a sweeping view of how artists through the centuries have worked with conceptions of the skull, that is, the mind, and ruminates on where thought is indeed located. From Leonardo da Vinci to Albrecht Du?rer, Didi-Huberman guides us to the work of Penone and from there, into the attempts of a sculptor whose works strives totouch thought.What we uncover is a sculptor whose work becomes a series of traces of thesite of thought. Attempting to trace, by way of a series offrottages,reports, and developments, this imperceptible zone of contact. The result is a kind of fossil of the brain: the site of thought, namely, the site for getting lost and for disproving space. Sculpting at the same time what inhabits as well as what incorporates us. 410 0$aUnivocal book. 606 $aSkull in art 615 0$aSkull in art. 676 $a700.4561 700 $aDidi-Huberman$b Georges$0221677 702 $aBurk$b Drew 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910149535003321 996 $aBeing a Skull$93409091 997 $aUNINA