LEADER 03556oam 2200661I 450 001 9910149386403321 005 20240501153604.0 010 $a1-315-43880-1 010 $a1-315-43879-8 024 7 $a10.4324/9781315438801 035 $a(CKB)3710000000933600 035 $a(MiAaPQ)EBC4732370 035 $a970384685 035 $a(BIP)57469269 035 $a(BIP)55638050 035 $a(EXLCZ)993710000000933600 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aBeyond Spain's borders $ewomen players in early modern national theaters /$fedited by Anne J. Cruz and Maria Cristina Quintero 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (235 pages) $cillustrations, tables 225 1 $aTransculturalisms, 1400-1700 311 08$a1-138-21799-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $apt. I. From Spain to the transnational stage -- pt. II. Commedia and court crosscurrents. 330 $aThe prolific theatrical activity that abounded on the stages of early modern Europe demonstrates that drama was a genre that transcended national borders. The transnational character of early modern theater reflects the rich admixture of various dramatic traditions, such as Spain's comedia and Italy's commedia dell'arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes. Of particular import to this study is the role that women and gender played in this cross-pollination of theatrical sources and practices. Contributors to the volume not only investigate the gendered effect of Spanish texts and literary types on English and French drama, they address the actual journeys of Spanish actresses to French theaters and of Italian actresses to the Spanish stage, while several emphasize the movement of royal women to various courts and their impact on theatrical activity in Spain and abroad. In their innovative focus on women's participation and influence, the chapters in this volume illustrate the frequent yet little studied transnational and transcultural points of contact between Spanish theater and the national theaters of England, France, Austria, and Italy.?? 410 0$aTransculturalisms, 1400-1700. 606 $aSpanish drama$yClassical period, 1500-1700$xHistory and criticism 606 $aTheater$zSpain$xHistory$y16th century 606 $aTheater$zSpain$xHistory$y17th century 606 $aWomen in the theater$zSpain$xHistory$y16th century 606 $aWomen in the theater$zSpain$xHistory$y17th century 606 $aSex role in literature 606 $aEuropean literature$xSpanish influences 606 $aEuropean drama$xHistory and criticism 615 0$aSpanish drama$xHistory and criticism. 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aWomen in the theater$xHistory 615 0$aWomen in the theater$xHistory 615 0$aSex role in literature. 615 0$aEuropean literature$xSpanish influences. 615 0$aEuropean drama$xHistory and criticism. 676 $a862.309 701 $aCruz$b Anne J$0165632 701 $aQuintero$b Maria Cristina$0910316 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910149386403321 996 $aBeyond Spain's borders$92037478 997 $aUNINA