LEADER 02596nam 2200637Ia 450 001 9910449856803321 005 20200520144314.0 035 $a(CKB)1000000000243678 035 $a(OCoLC)137342146 035 $a(CaPaEBR)ebrary10112477 035 $a(SSID)ssj0000285836 035 $a(PQKBManifestationID)11205209 035 $a(PQKBTitleCode)TC0000285836 035 $a(PQKBWorkID)10297082 035 $a(PQKB)10190179 035 $a(MiAaPQ)EBC3306482 035 $a(CaSebORM)0738490954 035 $a(Au-PeEL)EBL3306482 035 $a(CaPaEBR)ebr10112477 035 $a(EXLCZ)991000000000243678 100 $a20050622d2004 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$azSeries Application Assist Processor (zAAP) implementation$b[electronic resource] /$f[Paul Rogers, Luiz Fadel, Fernando Ferreira] 205 $a1st ed. 210 $aPoughkeepsie, NY $cIBM, International Technical Support Organization$d2004 215 $a1 online resource (70 p.) 225 1 $aIBM redbooks 300 $a"November 2004." 300 $a"SG24-6386-00." 311 $a0-7384-9095-4 320 $aIncludes bibliographical references and index. 330 $aThis IBM Redbooks publication gives a broad understanding of a new architecture facility available on zSeries servers called zSeries Application Assist Processor (zAAP). 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Cruz and Maria Cristina Quintero 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (235 pages) $cillustrations, tables 225 1 $aTransculturalisms, 1400-1700 311 08$a1-138-21799-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $apt. I. From Spain to the transnational stage -- pt. II. Commedia and court crosscurrents. 330 $aThe prolific theatrical activity that abounded on the stages of early modern Europe demonstrates that drama was a genre that transcended national borders. The transnational character of early modern theater reflects the rich admixture of various dramatic traditions, such as Spain's comedia and Italy's commedia dell'arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes. Of particular import to this study is the role that women and gender played in this cross-pollination of theatrical sources and practices. Contributors to the volume not only investigate the gendered effect of Spanish texts and literary types on English and French drama, they address the actual journeys of Spanish actresses to French theaters and of Italian actresses to the Spanish stage, while several emphasize the movement of royal women to various courts and their impact on theatrical activity in Spain and abroad. 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