LEADER 03246 am 2200553 n 450 001 9910149353803321 005 20161020 010 $a2-7574-0711-2 010 $a2-7574-1423-2 024 7 $a10.4000/books.septentrion.9927 035 $a(CKB)4330000000030658 035 $a(FrMaCLE)OB-septentrion-9927 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/55801 035 $a(PPN)197598676 035 $a(EXLCZ)994330000000030658 100 $a20161021j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aLe Patis /$fClaude Forest, Michel Serceau 210 $aVilleneuve d'Ascq $cPresses universitaires du Septentrion$d2016 215 $a1 online resource (362 p.) 311 $a2-7574-0687-6 330 $aL'histoire d?une salle de cinéma d?un quartier d?une ville de province se voit ici retracée, depuis son ouverture le 18 novembre 1942 jusqu?à sa fermeture définitive à la fin du mois de juillet 1983 : ses origines, son contexte, son évolution ? avec cette particularité de s?être, à la moitié de son existence, muée en salle d?Art et d?Essai. Une analyse statistique exhaustive (titres, genres, entrées, etc.) de sa programmation durant les quatre décennies est menée, l?un des buts recherché étant de mettre en évidence l?écart temporel entre la première présentation d?un film sur le territoire et son arrivée au Patis, puis d?en mesurer l?évolution au fil de la période étudiée. L?étude de la part qu?ont occupée dans cette programmation les différentes cinématographies selon la nationalité de leur production, française majoritairement, est également menée. Une analyse comparative confronte les films offerts à la demande du public ? mesurée par les entrées payantes déclarées au CNC et aux distributeurs ?, amène à faire ressortir des préférences, des lignes de force représentatives du public de cette salle d?abord populaire, puis d?Art et Essai. Cette demande se voit aussi examinée de manière transversale, selon les genres des films proposés. Question importante vu la double histoire de cette salle, repère essentiel dans la production et la réception du cinéma jusqu?à l?avènement du cinéma moderne et la Nouvelle vague, le genre n?étant en effet plus un critère pour une programmation Art et Essai. 606 $aMotion picture theaters$zFrance$zLe Mans$xHistory 607 $aLe Mans (France)$xCultural policy$xHistory$y20th century 610 $aexploitant 610 $aexploitation cinématographique 610 $aessai 610 $arediffusion 610 $aentrées hebdomadaires 610 $ademande 610 $aoffre 610 $apublic 610 $adistributeur 610 $aréalisateur 610 $abox-office 610 $aart & 610 $agenre cinématographique 615 0$aMotion picture theaters$xHistory. 700 $aForest$b Claude$01233426 701 $aSerceau$b Michel$0778386 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910149353803321 996 $aLe Patis$93021531 997 $aUNINA LEADER 01785nam 2200397 450 001 9910711556003321 005 20181106134612.0 035 $a(CKB)5470000002484491 035 $a(OCoLC)1061293643 035 $a(EXLCZ)995470000002484491 100 $a20181106d2018 ua 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConceptual and numerical models of dissolved solids in the Colorado River, Hoover Dam to Imperial Dam, and Parker Dam to Imperial Dam, Arizona, California, and Nevada /$fby David W. Anning, Alissa L. Coes, and Jon P. Mason ; prepared in cooperation with the Bureau of Reclamation 210 1$aReston, Virginia :$cU.S. Department of the Interior, U.S. Geological Survey,$d2018. 215 $a1 online resource (vi, 34 pages) $ccolor illustrations, color maps +$e2 appendices 225 1 $aScientifiic investigations report ;$v2018-5108 320 $aIncludes bibliographical references (page 33). 606 $aWater quality$zColorado River (Colo.-Mexico) 606 $aWater$xOrganic compound content$zColorado River (Colo.-Mexico)$xMathematical models 615 0$aWater quality 615 0$aWater$xOrganic compound content$xMathematical models. 700 $aAnning$b David W.$01390500 702 $aCoes$b Alissa L. 702 $aMason$b Jon P. 712 02$aGeological Survey (U.S.), 712 02$aUnited States.$bBureau of Reclamation. 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910711556003321 996 $aConceptual and numerical models of dissolved solids in the Colorado River, Hoover Dam to Imperial Dam, and Parker Dam to Imperial Dam, Arizona, California, and Nevada$93447725 997 $aUNINA LEADER 05006nam 22004813 450 001 9910794426103321 005 20210901203451.0 010 $a0-87195-437-0 035 $a(CKB)4100000011872152 035 $a(MiAaPQ)EBC6527784 035 $a(Au-PeEL)EBL6527784 035 $a(OCoLC)1113146769 035 $a(EXLCZ)994100000011872152 100 $a20210901d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGentleman in the Shadows $eBenjamin C. Evans Jr. and the Central Intelligence Agency 210 1$aIndianapolis :$cIndiana Historical Society,$d2019. 210 4$d©2019. 215 $a1 online resource (265 pages) 311 $a0-87195-436-2 327 $aHavana, -- Indiana Beginnings -- The Dividends of Culver -- West Point -- The Earthquake -- Aide-de-Camp -- Washington -- The Payback -- The Agency -- Tradecraft -- Cuba and the Revolution -- Crisis -- The Bomb -- World of Spies -- Limited Hangout -- The Seventh Floor -- Family Jewels -- Denouement -- Retirement. 330 $a"Gentleman in the Shadows is a biography of Benjamin C. Evans Jr., a Central Intelligence Agency executive who operated at the top levels of the U.S. intelligence community during the darkest days of the Cold War. After serving as a covert case officer in revolutionary Havana, Cuba, and then managing The Asia Foundation, a sprawling CIA front organization, Evans was promoted to the CIA headquarters' seventh floor, where the executive directorate team managed world-changing intelligence missions. A socially adept administrator, Evans was the CIA Executive Secretary for seven Directors of Central Intelligence under four presidential administrations. Spooks said Evans was the traffic cop of the CIA. As a military intelligence and CIA officer, Evans was part of the tumultuous period that included America's crusade to democratize Occupied Japan, the Korean War, nuclear standoffs with the Soviet Union, the anti-Castro counterrevolutionary movement that climaxed in the Bay of Pigs invasion, the Vietnam War, Watergate, and the Family Jewels furor after the CIA's dirty secrets were revealed. Although he had global CIA responsibilities, Evans was among the coterie of top federal executives who operated out of the limelight-extraordinarily significant officials whose names were virtually unknown to the American public. Through his marriage, Evans was a member of America's elite that figured so prominently in the U.S. intelligence services. Born and raised in a prosperous family in Crawfordsville, Indiana, Evans was imbued with conservative Hoosier values that celebrated servant-leadership. Following his graduation from the U.S. Military Academy at West Point, Evans's social savvy and encultured mores stood him in good stead in Occupied Japan, where he served as aide-de-camp to General Eugene Harrison, a decorated World War II intelligence officer and Occupation administrator. It was in Occupied Japan that Evans and the general's stepdaughter, Jan King, fell in love, and later married. Jan King Evans came from old Washington aristocracy-self-described "cave-dwellers"-who allied with the powerful thronging the nation's capital. The family connections shaped Evans's career. When President Harry Truman recognized he needed a foreign intelligence service, General Harrison was on the commission that established what came to be the CIA. Not too many years later, Harrison and his cohorts insured that his son-in-law Evans, by then a respected military intelligence officer, was offered a position in the agency. So this book is also about CIA families, who not uncommonly led double lives of sequestered thoughts, unasked questions and intimate deception. An empathetic family man, Evans paid a psychological price for his emotionally isolate life in the clandestine service. The primary source material for this book is based on family archives, on-the-record interviews, and available declassified CIA documents. Given Evans' covert career and long executive service near the apex of U.S. intelligence, it is not surprising that the CIA has declassified only a small portion of the enormous volume of documents connected to his CIA career. As such, this book is incomplete; a contribution to the larger story of a remarkable gentleman spy, who remains partially in the shadows."--$cProvided by publisher. 517 $aGentleman in the Shadows 606 $aIntelligence officers$zUnited States$vBiography 606 $aWorld politics$y1945-1989 606 $aCold War$vBiography 615 0$aIntelligence officers 615 0$aWorld politics 615 0$aCold War 676 $a327.12730092 676 $aB 700 $aWissing$b Douglas A$01526019 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794426103321 996 $aGentleman in the Shadows$93767818 997 $aUNINA