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024 7 $a10.1515/9789048524112
035   $a(CKB)3710000000930219
035   $a(MiAaPQ)EBC5507867
035   $a(OCoLC)1163594952
035   $a(MdBmJHUP)muse76729
035   $a(DE-B1597)503201
035   $a(OCoLC)972017701
035   $a(DE-B1597)9789048524112
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/25995
035   $a(EXLCZ)993710000000930219
100   $a20160617h20172017  uy         0
101 0 $aeng
135   $aurmn#||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aPainting and Publishing as Cultural Industries$fClaartje Rasterhoff
205   $a1st ed.
210   $cAmsterdam University Press$d2016
210  1$aAmsterdam : $cAmsterdam University Press, $d[2017]
210  4$dİ2017
215   $a1 online resource (344 pages) $cillustrations
225 0 $aAmsterdam studies in the Dutch golden age
311   $a90-8964-702-3 
320   $aIncludes bibliographical references (pages 307-336) and index.
327   $aIntroduction -- Part I. Publishing -- 1580-1610: window of opportunity -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Part II. Painting -- 1580-1610: a period of transition -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Conclusion.
330   $aThe Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
410  0$aAmsterdam studies in the Dutch golden age.
606   $aWirtschaft$2gnd
606   $aMalerei$2gnd
606   $aBuchdruck$2gnd
606   $aBranche$2gnd
606   $aPublishers and publishing$2fast$3(OCoLC)fst01083463
606   $aPainting$2fast$3(OCoLC)fst01050567
606   $aArt$xEconomic aspects$2fast$3(OCoLC)fst00815231
606   $aArt and industry$2fast$3(OCoLC)fst00815398
606   $aPainting$zNetherlands$xHistory
606   $aPublishers and publishing$zNetherlands$xHistory
606   $aArt and industry$zNetherlands$xHistory
606   $aArt$xEconomic aspects$zNetherlands$xHistory
607   $aNiederlande$2gnd
607   $aNetherlands$2fast
608   $aHistory.
608   $aElectronic books. 
615  0$aWirtschaft
615  0$aMalerei
615  0$aBuchdruck
615  0$aBranche
615  0$aPublishers and publishing.
615  0$aPainting.
615  0$aArt$xEconomic aspects.
615  0$aArt and industry.
615  0$aPainting$xHistory.
615  0$aPublishers and publishing$xHistory.
615  0$aArt and industry$xHistory.
615  0$aArt$xEconomic aspects$xHistory.
676   $a[E]
700   $aRasterhoff$b Claartje$0953139
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910149219103321
996   $aPainting and Publishing as Cultural Industries$92154798
997   $aUNINA