LEADER 02555nam 2200565 450 001 9910149167403321 005 20230801231700.0 010 $a1-84621-147-6 035 $a(CKB)2670000000521867 035 $a(EBL)1620890 035 $a(SSID)ssj0001339745 035 $a(PQKBManifestationID)11869371 035 $a(PQKBTitleCode)TC0001339745 035 $a(PQKBWorkID)11350763 035 $a(PQKB)11661847 035 $a(MiAaPQ)EBC1620890 035 $a(MiAaPQ)EBC7401259 035 $a(Au-PeEL)EBL7401259 035 $a(EXLCZ)992670000000521867 100 $a20140103d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aForms of agreement used in managing intellectual property /$fJohn P. Mc Manus 210 1$aCork, Ireland :$cNuBooks,$d2012. 210 4$d©2012 215 $a1 online resource (48 p.) 225 0 $aCommercialising Intellectual Property Series ;$vNumber 7 300 $aDescription based upon print version of record. 311 $a1-84621-146-8 327 $aCopyright Page; 1: Introduction; 2: Non-Disclosure and Confidentiality Agreements; Purpose; Key Points; Precautions; NDA Template Types; 3: Material Transfer Agreements; Purpose; Key Points; Precautions; 4: Evaluation Agreements; 5: Contract Research Agreements; Purpose; Key Points; Precautions; 6: Research Collaborations and the Exploitation Agreement; 7: Collaboration Agreements; Purpose; Key Points; Precautions; 8: Consortium Agreements; Purpose; Key Points; Precautions; About the Author; Intellectual Property; Oak Tree Press; NuBooks 330 $a The seventh ebook in the Commercialising IP series, Forms of Agreement used in Managing Intellectual Property, looks at forms likely to be used during the commercialisation process: non-disclosure, confidentiality, material transfer, evaluation, contract research, exploitation, collaboration and consortium agreements. 410 0$a7 606 $aIntellectual property 606 $aIntellectual property$xManagement 606 $aTechnological innovations$xManagement 615 0$aIntellectual property. 615 0$aIntellectual property$xManagement. 615 0$aTechnological innovations$xManagement. 676 $a346.048 700 $aMcManus$b John P$01372798 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910149167403321 996 $aForms of agreement used in managing intellectual property$93403850 997 $aUNINA LEADER 01363nam0 22003131i 450 001 UON00526822 005 20241121101353.583 100 $a20241119d2019 |0itac50 ba 101 $aspa 102 $aES 105 $a|||| ||||| 200 1 $aDeciano de Emerita y Marcial de Bilbilis$fLuis Andrés Arguello Garcia 210 $aMérida$cMuseo nacional de arte romano$cFundacion de estudios romanos$d2019 215 $a174 p.$cill.$d21 cm 410 1$1001UON00087484$12001 $aCuadernos Emeritenses$v46 606 $aDeciano : da Merida$3UONC104283$2FI 606 $aMARZIALE, Marco Valerio$3UONC071651$2FI 606 $aMerida (Spagna)$xStoria$xAntichità$3UONC104284$2FI 620 $aES$dMérida$3UONL002380 676 $a871.01$cPoesia latina. Periodo romano fino al 500 ca$v20 700 1$aARGUELLO GARCIA$bLuis Andres$3UONV296409$01774589 712 $aFundacion de estudios romanos$3UONV296410$4650 712 $aMuseo Nacional de Arte Romano (Merida)$3UONV259860$4650 801 $aIT$bSOL$c20241122$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00526822 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI T 2 MART. 5002 $eSI 51923 5 996 $aDeciano de Emerita y Marcial de Bilbilis$94287100 997 $aUNIOR LEADER 03089nam 2200769Ia 450 001 9910965568503321 005 20200520144314.0 010 $a9786613289360 010 $a9781446287873 010 $a1446287874 010 $a9781283289368 010 $a1283289369 010 $a9781446200322 010 $a1446200329 035 $a(CKB)2670000000068124 035 $a(EBL)585414 035 $a(OCoLC)699474194 035 $a(SSID)ssj0000541542 035 $a(PQKBManifestationID)12181602 035 $a(PQKBTitleCode)TC0000541542 035 $a(PQKBWorkID)10498676 035 $a(PQKB)11467878 035 $a(SSID)ssj0000649746 035 $a(PQKBManifestationID)12206783 035 $a(PQKBTitleCode)TC0000649746 035 $a(PQKBWorkID)10614629 035 $a(PQKB)24313072 035 $a(MiAaPQ)EBC585414 035 $a(OCoLC)759006865 035 $a(StDuBDS)EDZ0000174221 035 $a(FINmELB)ELB131356 035 $a(PPN)238412024 035 $a(FR-PaCSA)88869741 035 $a(FRCYB88869741)88869741 035 $a(EXLCZ)992670000000068124 100 $a20091124d2010 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStarting statistics $ea short, clear guide /$fNeil Burdess 205 $a1st ed. 210 $aLos Angeles $cSAGE$dc2010 210 1$aLos Angeles :$cSAGE,$d2010. 215 $a1 online resource (x, 187 pages) $cillustrations 300 $aDescription based upon print version of record. 311 0 $a9781849200974 311 0 $a1849200971 311 0 $a9781849200981 311 0 $a184920098X 320 $aIncludes bibliographical references and index. 327 $aCOVER; Contents; Part One - Measurement; 1 Introducing measurement; 2 Measuring numbers; 3 Measuring categories; Part Two - Standardisation; 4 Introducing standardisation; 5 Standardising categories; 6 Standardising numbers; Part Three - Correlations; 7 Introducing correlations; 8 Correlations between categories; 9 Correlations between numbers; Part Four - Sampling and estimation; 10 Introducing sampling; 11 Estimating numbers; 12 Estimating categories; Part Five - Hypothesis testing; 13 Introducing hypothesis testing; 14 Hypotheses about categories; 15 Hypotheses about numbers; 16 Hypotheses about categories and numbers; References; Index 330 8 $aThis guide presents an accessible, humorous and easy introduction to statistics for social science students. Neil Burdess shows that statistics are not the result of some mysterious 'black magic', but rather the result of some very basic arithmetic. 606 $aStatistics 606 $aSocial sciences$xStatistical methods 615 0$aStatistics. 615 0$aSocial sciences$xStatistical methods. 676 $a519.5 700 $aBurdess$b Neil$01796792 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910965568503321 996 $aStarting statistics$94338738 997 $aUNINA LEADER 04538nam 2200649 a 450 001 9910975127903321 005 20240516103748.0 010 $a9781587294037 010 $a1587294036 035 $a(CKB)1000000000447494 035 $a(EBL)837068 035 $a(OCoLC)56109523 035 $a(SSID)ssj0000223069 035 $a(PQKBManifestationID)11208650 035 $a(PQKBTitleCode)TC0000223069 035 $a(PQKBWorkID)10176058 035 $a(PQKB)10615543 035 $a(MdBmJHUP)muse12501 035 $a(Au-PeEL)EBL837068 035 $a(CaPaEBR)ebr10579444 035 $a(MiAaPQ)EBC837068 035 $a(PPN)256578036 035 $a(Perlego)2882697 035 $a(EXLCZ)991000000000447494 100 $a20010523d2001 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPoetics of the hive $ethe insect metaphor in literature /$fCristopher Hollingsworth 205 $a1st ed. 210 $aIowa City $cUniversity of Iowa Press$d2001 215 $a1 online resource (327 p.) 300 $aDescription based upon print version of record. 311 08$a9781587293801 311 08$a1587293803 311 08$a9780877457862 311 08$a0877457867 320 $aIncludes bibliographical references and index. 327 $aPreface; Acknowledgments; Introduction: The Alphabet of the Bees; 1 From Homer to Virgil: Hiving the Dark Swarm; 2 From Dante to Milton:The Hive Translated, Then Damned; 3 The Hive, the Fable, and the Imagination ofShadow; 4 The Other as Insect; 5 The Self as Insect; 6 Postmodern Versions of the Self as Insect; Notes; Bibliography; Index 330 8 $a"Cris Hollingsworth's waggle dance after scouting the rangiest field of literature--Virgil and Homer down to Milton and Swift, on to Plath and Byatt&#$151;leads you to where the nectar hides.... He wisely roams, extracting an anthology of poetry, prose, psychology, history&151;most of all, perception--that tops the bee's knees." --Paul West, author of The Secret Life of Words"Hollingsworth's wide-ranging exploration of the image of the hive is impressive. Poetics of the Hive and its panoply of references cannot fail to enrich university classrooms, especially those devoted to both the visual arts and literature." --Dore Ashton, author of A Fable of Modern Art"Cris Hollingsworth's Poetics of the Hive... is complex, even daring in argument; I'm even more impressed by [his] skill at an increasingly rare critical art, the educing of argument from careful, often brilliant analytical reading of literary texts." --Thomas R. Edwards, executive editor of Raritan: A Quarterly ReviewA study to delight the passionate reader, Poetics of the Hive tells the story of the evolution of the insect metaphor from antiquity to the multicultural present. An experiment in the &147;evolutionary biology&148; of artistic form, Poetics of the Hive freshly examines classic works of literature, offering a view of poetic creation that complicates our ideas of the past and its formative role in modern consciousness and world literature. In the first part of this lyrical synthesis of rhetoric, visual and postmodern theory, and cognitive science, Cristopher Hollingsworth reveals the structure behind his metaphor, redefining it as an aesthetically and philosophically potent tableau that he calls the Hive. He traces the Hive's evolution in epic poetry from Homer to Milton, which establishes antithetical but complementary images of angelic and demonic bees that Swift, Mandeville, and Keats use variously to debate classical versus emerging ideas of the individual's relationship to society. But the Hive becomes fully psychologized, Hollingsworth argues, only when its use by Conrad and Wells to explore Europe's colonial imagination of the Other is transformed by Kafka and Sartre into competing symbols of the modern self's existential condition.Cristopher Hollingsworth is an assistant professor of English at St. John's University, Staten Island. 606 $aInsects in literature 606 $aInsects$xSymbolic aspects 606 $aBees in literature 615 0$aInsects in literature. 615 0$aInsects$xSymbolic aspects. 615 0$aBees in literature. 676 $a809/.9336257 700 $aHollingsworth$b Cristopher$f1961-$01805379 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910975127903321 996 $aPoetics of the hive$94353934 997 $aUNINA