LEADER 03231nam 22006613 450 001 996309144503316 005 20240222190344.0 010 $a3-8394-3296-0 035 $a(CKB)3710000000656398 035 $a(MiAaPQ)EBC5494417 035 $a(Au-PeEL)EBL5494417 035 $a(OCoLC)1030823022 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35550 035 $a(EXLCZ)993710000000656398 100 $a20210901d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt Unlimited? $eDynamics and Paradoxes of a Globalizing Art World 210 $aBielefeld, Germany$ctranscript Verlag$d2016 210 1$aBielefeld :$cTranscript Verlag,$d2016. 210 4$dİ2016. 215 $a1 online resource (264 pages) 225 1 $aKulturen der Gesellschaft ;$vv.20 327 $aIntro -- Contents -- Preface -- Introduction: Art unlimited? The globalization of the art world and its limits -- Prospective territorial occupations. Western perspectives on a "terra incognita" of the art world -- Voices from an emerging art field -- Ming Ming -- Karen Smith -- William Lim -- Fabio Rossi -- Meg Maggio -- Alan Lo -- Arthur Solway -- Robin Peckham -- Leung Chi Wo -- Cedric Pinto -- Nick Simunovic -- Jonathan Stone -- Colin Chinnery -- Gu Ling -- Tobias Berger -- Ferdie Ju -- The Olympics of art in distant realms. The view of the gallerists on the Art Basel in Hong Kong -- Contemporary art and its Eastern public -- A world turned upside down. The birth of an art field under the aegis of the (global) art market -- Appendix. 330 $aUntil recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified? A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say. 410 0$aKulturen der Gesellschaft 606 $aSociology$2bicssc 610 $asociology of art 610 $asociology 610 $aglobalization 610 $atheory of art 610 $aart market 610 $aart 610 $aethnography 610 $achina 610 $aArt Basel 610 $aAuction 610 $aChinese art 610 $aContemporary art 610 $aHong Kong 610 $aRace and ethnicity in the United States Census 610 $aShanghai 615 7$aSociology 676 $a701/.03095 700 $aSchultheis$b Franz$0965225 701 $aSingle$b Erwin$0965226 701 $aKo?feler$b Raphaela$0965227 701 $aMazzurana$b Thomas$0965228 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996309144503316 996 $aArt Unlimited$92189873 997 $aUNISA LEADER 01576ojm 2200289z- 450 001 9910149034903321 005 20230905114811.0 010 $a0-00-821838-2 035 $a(CKB)3710000000924259 035 $a(BIP)056211238 035 $a(VLeBooks)9780008218386 035 $a(EXLCZ)993710000000924259 100 $a20231107c2016uuuu -u- - 101 0 $aeng 200 $aWolf of the plains 210 $cHarperCollins UK 225 $aThe conqueror series 330 8 $aThe first book in the bestselling Conqueror series featuring Genghis Khan and his descendants.'I am the land and the bones of the hills. I am the winter.'Temujin, the second son of the khan of the Wolves tribe, was only eleven when his father died in an ambush.His family were thrown out of the tribe and left alone, without food or shelter, to starve to death on the harsh Mongolian plains.It was a rough introduction to his life, to a sudden adult world, but Temujin survived, learning to combat natural and human threats. A man, a small family, without a tribe was always at risk but he gathered other outsiders to him, creating a new tribal identity. It was during some of his worst times that the image of uniting the warring tribes and bringing the silver people together came to him. He will become the khan of the sea of grass, Genghis. 606 $aMongols 615 0$aMongols. 676 $a823.92 701 $aIggulden$b Conn$01433865 701 $aThorne$b Stephen$01744584 906 $aAUDIO 912 $a9910149034903321 996 $aWolf of the plains$94174682 997 $aUNINA