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035   $a(DE-B1597)9783110445947
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100   $a20160323h20162016  uy|            0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aReading graphic novels $egenre and narration /$fAchim Hescher
210  1$aBerlin ;$aBoston :$cDe Gruyter,$d[2016]
210  4$d©2016
215   $a1 online resource (228 pages) $cillustrations
225 1 $aNarratologia. Contributions to narrative theory ;$vBand 50
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a3-11-057770-4 
311   $a3-11-044523-9 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $t1. Introduction -- $t2. Beginnings, Periods, Movements, and Developments -- $t3. Graphic Novels and the Problem of Categorization -- $t4. Verbal and Pictorial Narration in Graphic Novels -- $t5. Taking Stock: The Graphic Novel as a Narrating Genre -- $t6. Works Cited -- $t7. Index of Primary Works
330   $aDistinguishing the graphic novel from other types of comic books has presented problems due to the fuzziness of category boundaries. Against the backdrop of prototype theory, the author establishes the graphic novel as a genre whose core feature is complexity, which again is defined by seven gradable subcategories: 1) multilayered plot and narration, 2) multireferential use of color, 3) complex text-image relation, 4) meaning-enhancing panel design and layout, 5) structural performativity, 6) references to texts/media, and 7) self-referential and metafictional devices. Regarding the subcategory of narration, the existence of a narrator as known from classical narratology can no longer be assumed. In addition, conventional focalization cannot account for two crucial parameters of the comics image: what is shown (point of view, including mise en scène) and what is seen (character perception). On the basis of François Jost's concepts of ocularization and focalization, this book presents an analytical framework for graphic novels beyond conventional narratology and finally discusses aspects of subjectivity, a focal paradigm in the latest research. It is intended for advanced students of literature, scholars, and comics experts. 
410  0$aNarratologia ;$v50.
606   $aGraphic novels$xHistory and criticism
606   $aGraphic novels$xAuthorship
606   $aNarration (Rhetoric)
606   $aLiterary form
608   $aElectronic books.
615  0$aGraphic novels$xHistory and criticism.
615  0$aGraphic novels$xAuthorship.
615  0$aNarration (Rhetoric)
615  0$aLiterary form.
676   $a741.5/9
700   $aHescher$b Achim$f1964-$01030572
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910148796803321
996   $aReading graphic novels$92447522
997   $aUNINA