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024 7 $a10.4324/9781315659701 
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035   $a(OCoLC)961930147
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100   $a20180706d2016      uy         0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 00$aExperiencing liveness in contemporary performance $einterdisciplinary perspectives /$fedited by Matthew Reason and Anja Mølle Lindelof
205   $a1st ed.
210  1$aNew York :$cRoutlege,$d2016.
215   $a1 online resource (344 pages) $cillustrations
225 1 $aRoutledge advances in theatre and performance studies ;$v47
300   $aIncludes index.
311   $a1-138-96159-0 
327   $apt. 1. Audiencing : introduction / Matthew Reason and Anja  Mølle  Lindelof -- part 2. Materialising : introduction / Matthew Reason and Anja  Mølle  Lindelof.
330   $aThis book offers dynamic perspectives on the concept of liveness in the performing arts, engaging with liveness through the particular analytical focus of audiences and experience. With contributions from theatre, music, dance, and performance art, it explores how liveness is produced through processes of audiencing, and how it becomes materialized in acts of performance, making, archiving, and remembering. Theoretical chapters and practice-based reflections visit topics such as fandom, embodiment, documentation, technological mediation, and commodity exchange, showing how the relationship between audience and event is rarely singular and more often malleable and multiple.
410  0$aRoutledge advances in theatre and performance studies ;$v47.
606   $aPerforming arts$xSocial aspects
606   $aPerforming arts$xPsychological aspects
606   $aPerforming arts$xAudiences
606   $aMusic$xPerformance
615  0$aPerforming arts$xSocial aspects.
615  0$aPerforming arts$xPsychological aspects.
615  0$aPerforming arts$xAudiences.
615  0$aMusic$xPerformance.
676   $a792.01
676   $a792.01
701   $aLindelof$b Anja  Mølle$f1974-$0916811
701   $aReason$b Matthew$f1975-$0913280
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910148737603321
996   $aExperiencing liveness in contemporary performance$92055290
997   $aUNINA