LEADER 03463oam 2200865I 450 001 9910148635903321 005 20200731054327.0 010 $a9780300249804 010 $a0300249802 024 7 $a10.12987/9780300220438 035 $a(CKB)3710000000918300 035 $a(MiAaPQ)EBC4728136 035 $a(DE-B1597)540713 035 $a(DE-B1597)9780300220438 035 $a(OCoLC)961457407 035 $a(OCoLC)ocn961457407 035 $a(EXLCZ)993710000000918300 100 $a20161029h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe concrete body $eYvonne Rainer, Carolee Schneemann, Vito Acconci /$fElise Archias 210 1$aNew Haven :$cYale University Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (236 pages) $cillustrations 311 08$a9780300217971 311 08$a0300217978 311 08$a9780300220438 311 08$a030022043X 320 $aIncludes bibliographical references and index. 327 $aWhen the Body Is the Material -- 1. Hurray for People: Yvonne Rainer -- 2. Concretions : Carolee Schneemann -- 3. Reasons to Move : Vito Acconci -- Coda : Forming the Senses. 330 $a"...Examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body's reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community's embrace of all things ordinary through work that explored the abstraction born of the body's materiality. Rainer's task-like dances, Schneemann's sensuous appropriations of popular entertainment, and Acconci's behaviorist-inflected tests highlight the body's unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era"--Publisher's description. 606 $aArts, American$zNew York (State)$zNew York$yHistory$y20th century 606 $aPerformance art$zNew York (State)$zNew York$yHistory 606 $aPerformance artists$zUnited States$y20th century 606 $aPerformance art$2fast$3(OCoLC)fst01057852 607 $aUnited States$2fast 615 0$aArts, American 615 0$aPerformance art 615 0$aPerformance artists 615 7$aPerformance art. 676 $a700.904 686 $aLH 70410$2rvk 700 $aArchias$b Elise$01220783 712 02$aYale University Press, 801 0$bEBLCP 801 1$bEBLCP 801 2$bN$T 801 2$bIDEBK 801 2$bEBLCP 801 2$bOCLCQ 801 2$bN$T 801 2$bMERUC 801 2$bCCO 801 2$bCSAIL 801 2$bTEFOD 801 2$bOCLCF 801 2$bUAB 801 2$bOCLCQ 801 2$bOTZ 801 2$bOCLCQ 801 2$bWRM 801 2$bOCLCQ 801 2$bINT 801 2$bYDX 801 2$bOCLCQ 801 2$bIDB 801 2$bOCLCQ 801 2$bYUS 906 $aBOOK 912 $a9910148635903321 996 $aThe concrete body$92827795 997 $aUNINA