LEADER 04346nam 22005295 450 001 9910148574403321 005 20230214002015.0 010 $a1-137-57651-0 024 7 $a10.1057/978-1-137-57651-4 035 $a(CKB)3710000000909031 035 $a(DE-He213)978-1-137-57651-4 035 $a(MiAaPQ)EBC4720594 035 $a(EXLCZ)993710000000909031 100 $a20161001d2016 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFinnish Cinema $eA Transnational Enterprise /$fedited by Henry Bacon 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XXI, 285 p. 40 illus., 9 illus. in color.) 225 1 $aPalgrave European Film and Media Studies,$x2634-615X 311 $a1-137-57650-2 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements -- 1 Introduction to the study of transnational cinema in small nations -- I Beginnings: ?1930 -- 2 A young nation seeking to define itself (Hupaniittu) -- 3 The emergence of Finnish film production and its linkages to the cinema business during the silent era (Hupaniittu). 4 Film style in the silent era (Seppälä) -- 5 War and peace; Finland among contending nations (Lehtisalo) -- 6 A national film style? (Laine) -- 7 Exporting Finnish films (Lehtisalo) -- 8 Trade and diplomacy between east and west (Bacon) -- 9 The Finnish new wave as a transnational phenomenon (Kääpä) -- 10 Art cinema and popular cinema (Laine) -- 11 An increasingly European nation (Bacon) -- 12 International networks of production and distribution (Bacon) -- 13 Producer led mode of film production (Kääpä) -- 14 Two modes of Transnational filmmaking -- 15 Finnish films at international festivals (Lehtisalo) -- 16 Conclusion (Bacon & al) -- 17 Appendix (Hupaniittu) -- Bibliography -- . 330 $aThis book presents an expert analysis of the transnational aspects of Finnish cinema throughout its history. As a small nation cinema, Finnish film culture has, even at its most nationalistic, always been attached to developments in other film producing nations in terms of production and distribution as well as genres and aesthetics. Recent developments in film theory offer exciting new approaches and methodologies for the study of transnational phenomena in the field of film culture, both past and present. The authors employ a wide range of cutting edge methodologies in order to address the major issues involved in transnational approaches to film culture. Until recently, much of this research has focused on globalization and questions related to diasporic cinema while transnational issues related to small nation film cultures have been marginalized. This study focuses on how small nation cinemas have faced the dilemma of contributing to the construction and maintenance of national culture and identity, while responding to audience tastes largely shaped by foreign cinemas. With Finland?s intriguing political placement between East and West, along with the high portion of film history preserved in Finnish archives, this thoroughly contextualized multidisciplinary analysis of Finnish film history serves as an illuminating case study of the transnational aspects of small nation cinemas. 410 0$aPalgrave European Film and Media Studies,$x2634-615X 606 $aMotion pictures$zFinland 606 $aMotion pictures$xEuropean influences 606 $aMedia Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/412000 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aEuropean Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413060 607 $aFinland$2fast 608 $aHistory.$2fast 615 0$aMotion pictures 615 0$aMotion pictures$xEuropean influences. 615 14$aMedia Studies. 615 24$aFilm History. 615 24$aEuropean Cinema and TV. 676 $a302.23 702 $aBacon$b Henry$f1957-.$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910148574403321 996 $aFinnish Cinema$92531514 997 $aUNINA