LEADER 03099nam 22005651 450 001 9910148570803321 005 20221108061244.0 010 $a1-78225-789-6 010 $a1-5099-0201-5 024 7 $a10.5040/9781782257899 035 $a(CKB)3710000000920296 035 $a(MiAaPQ)EBC4723173 035 $a(OCoLC)952227119 035 $a(UtOrBLW)bpp09260266 035 $a(EXLCZ)993710000000920296 100 $a20161216d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCopyright beyond law $eregulating creativity in the graffiti subculture /$fMarta Iljadica 210 1$aOxford [UK] ;$aPortland, Oregon :$cHart Publishing,$d2016. 215 $a1 online resource (325 pages) 300 $aIncludes index. 311 $a1-5099-2794-8 311 $a1-84946-777-3 320 $aIncludes bibliographical references and index. 327 $aGraffiti history and development -- Copyright, creativity, and commons -- Methodology : reflections on fieldwork -- Copyright subject matter -- Graffiti rules? : write letters, choose spots -- Moral rights -- Graffiti rules ? don't go over -- Graffiti rules and copyright law. 330 8 $aThe form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and houses. Employing a particular style of letters, choosing which walls and trains to write on, copying another writer, altering or destroying another writer's work: these acts are regulated within the graffiti subculture. Copyright Beyond Law presents findings from empirical research undertaken into the graffiti subculture to show that graffiti writers informally regulate their creativity through a system of norms that are remarkably similar to copyright. The 'graffiti rules' and their copyright law parallels include: the requirement of writing letters (subject matter) and appropriate placement (public policy and morality exceptions for copyright subsistence and the enforcement of copyright), originality and the prohibition of copying (originality and infringement by reproduction), and the prohibition of damage to another writer's works (the moral right of integrity). The intersection between the 'graffiti rules' and copyright law sheds light on the creation of subculture-specific commons and the limits of copyright law in incentivising and regulating the production and location of creativity 606 $aCopyright$xArt 606 $aGraffiti$xHistory 606 $aLaw and art 606 $aPublic art$xLaw and legislation 606 $aStreet art$xHistory 606 $2Financial law 615 0$aCopyright$xArt. 615 0$aGraffiti$xHistory. 615 0$aLaw and art. 615 0$aPublic art$xLaw and legislation. 615 0$aStreet art$xHistory. 676 $a346.04/82 700 $aIljadica$b Marta$01263911 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910148570803321 996 $aCopyright beyond law$92963136 997 $aUNINA