LEADER 03294 am 2200709 n 450 001 9910516000803321 005 20240104030704.0 010 $a2-38377-030-2 024 7 $a10.4000/books.pubp.2098 035 $a(CKB)5100000000162495 035 $a(FrMaCLE)OB-pubp-2098 035 $a(PPN)259402702 035 $a(EXLCZ)995100000000162495 100 $a20211214j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 200 00$aVoyages illustrés aux pays froids (xvie-xixe siècle)$eDe l?invention de l?imprimerie à celle de la photographie$fGilles Bertrand, Daniel Chartier, Alain Guyot, Marie Mossé, Anne-Élisabeth Spica 210 $aClermont-Ferrand$cPresses universitaires Blaise-Pascal$d2021 215 $a1 online resource (288 p.) 311 $a2-84516-899-3 330 $aPourquoi, à la lecture des récits de voyage illustrés dans les Alpes, dans le « Grand Nord » (Arctique, Nord de l'Amérique, Scandinavie) ou encore en Sibérie et dans l'Antarctique, a-t-on le sentiment d?une parenté aussi diffuse et mystérieuse qu?évidente ? D?où provient l?impression, que nous procurent les textes et les images, d?un univers à la fois proche et lointain, familier et déroutant, celui des pays froids ? Jusqu?à l?apparition de la photographie, le livre imprimé et ses illustrations offrent aux lecteurs un moyen de connaissance en même temps qu?une véritable machine à fantasme sur cet ailleurs étrange qui se révèle à la fois d?accès difficile et à portée de main, fascinant et terrifiant. En croisant la variété des paysages et celle des approches disciplinaires, les auteurs du présent ouvrage entendent contribuer à l?exploration de ce continent encore méconnu de la littérature viatique. 517 $aVoyages illustrés aux pays froids 517 $aVoyages illustrés aux pays froids 606 $aLiterature (General) 606 $aliterature 606 $acold countries 606 $atext-image ratio 606 $atrip 606 $apays froids 606 $alittérature 606 $avoyage 615 4$aLiterature (General) 615 4$aliterature 615 4$acold countries 615 4$atext-image ratio 615 4$atrip 615 4$apays froids 615 4$alittérature 615 4$avoyage 700 $aBeaulieu Orna$b Marie-Claude$01459473 701 $aBourguignon$b Annie$01459474 701 $aBourguinat$b Nicolas$01278381 701 $aChartier$b Daniel$0691741 701 $aDziub$b Nikol$01290952 701 $aGuffroy$b Yohann$01459475 701 $aGuyot$b Alain$034405 701 $aKullberg$b Christina$0799387 701 $aLe Huenen$b Roland$01292212 701 $aMagnin$b Lucile$01459476 701 $aMinard-Törmänen$b Nathanaëlle$01459477 701 $aMonney$b Gilles$01459478 701 $aMossé$b Marie$01459479 701 $aOfleidi$b Joanna$01459480 701 $aRipoll$b Élodie$01459481 701 $aSalvadori$b Pierre$01459482 701 $aSpica$b Anne-Élisabeth$0163982 701 $aBertrand$b Gilles$0266778 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910516000803321 996 $aVoyages illustrés aux pays froids (xvie-xixe siècle)$93658727 997 $aUNINA LEADER 03882nam 2200613 450 001 9910789153703321 005 20210607230540.0 010 $a0-674-72701-0 010 $a0-674-72608-1 024 7 $a10.4159/harvard.9780674726086 035 $a(CKB)3710000000081476 035 $a(EBL)3301374 035 $a(SSID)ssj0001082861 035 $a(PQKBManifestationID)11631526 035 $a(PQKBTitleCode)TC0001082861 035 $a(PQKBWorkID)11101385 035 $a(PQKB)10370866 035 $a(DE-B1597)213445 035 $a(OCoLC)867050098 035 $a(OCoLC)979778198 035 $a(DE-B1597)9780674726086 035 $a(Au-PeEL)EBL3301374 035 $a(CaPaEBR)ebr10823657 035 $a(MiAaPQ)EBC3301374 035 $a(dli)HEB32880 035 $a(MiU) MIU01100000000000000000580 035 $a(EXLCZ)993710000000081476 100 $a20140118d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aElegy for theory /$fD.N. Rodowick 210 1$aCambridge, Massachusetts ;$aLondon, England :$cHarvard University Press,$d2014. 210 4$d©2014 215 $a1 online resource (304 p.) 300 $aIncludes index. 311 $a0-674-04669-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIn Place of Beginning ... --$t1. A Compass in a Moving World --$t2. Many Lines of Descent --$t3. Theoria as Practical Philosophy --$t4. The Sage Is Wise Only in Theory --$t5. Variations and Discontinuities: Aesthetic --$t6. How Art Found Theory --$t7. Philosophy before the Arts --$t8. The Rarity of Theory --$t9. On the History of Film Theory --$t10. Genres of Theory --$t11. Excursus: Ricciotto Canudo and the Aesthetic Discourse --$t12. On the Way to Language --$t13. The Travels of Formalism --$t14. An Uncertain and Irrational Art --$t15. A Small History of Structuralism --$t16. After the Long Eclipse --$t17. An Object, a Method, a Domain --$t18. A Care for the Claims of Theory --$t19. The Sense of an Ending --$t20. "Suddenly, an Age of Theory" --$t21. The Fifth Element --$t22. "A Struggle without End, Exterior and Interior" --$t23. Becoming a Subject in Theory --$tAcknowledgments --$tIndex 330 $aRhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970's and 1980's, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent--one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. 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