LEADER 03944nam 22010094a 450 001 9910146930903321 005 20250117170143.0 010 $a9786610733927 010 $a9781847795120 010 $a1847795129 010 $a9780719057847 010 $a0719057841 010 $a9781526137234 010 $a1526137232 010 $a9781847790330 010 $a184779033X 010 $a9781280733925 010 $a1280733926 010 $a9781417577996 010 $a1417577991 024 7 $a10.7765/9781526137234 035 $a(CKB)1000000000030901 035 $a(EBL)242613 035 $a(OCoLC)191925978 035 $a(SSID)ssj0000099591 035 $a(PQKBManifestationID)11114048 035 $a(PQKBTitleCode)TC0000099591 035 $a(PQKBWorkID)10019942 035 $a(PQKB)10621272 035 $a(SSID)ssj0000507543 035 $a(PQKBManifestationID)12188995 035 $a(PQKBTitleCode)TC0000507543 035 $a(PQKBWorkID)10549190 035 $a(PQKB)11429229 035 $a(MiAaPQ)EBC242613 035 $a(Au-PeEL)EBL242613 035 $a(CaPaEBR)ebr10075723 035 $a(CaONFJC)MIL73392 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28836 035 $a(DE-B1597)658892 035 $a(DE-B1597)9781526137234 035 $a(PPN)270541381 035 $a(OCoLC)1408681300 035 $a(ScCtBLL)7a7e7c3c-3443-44a1-8b6f-e550ac490169 035 $a(OCoLC)808382386 035 $a(Perlego)1526442 035 $a(oapen)doab28836 035 $a(EXLCZ)991000000000030901 100 $a20021213d2003 uy 0 101 0 $aeng 135 $aurmn#---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAesthetics and subjectivity $efrom Kant to Nietzsche /$fAndrew Bowie 205 $a2nd ed., completely re-written and updated. 210 $aManchester, UK ;$aNew York $cManchester University Press$d2003 210 1$aManchester :$cManchester University Press,$d[2018] 210 4$dİ2003 215 $a1 online resource (354 pages) $cdigital file(s) 300 $aDescription based upon print version of record. 311 0 $a9780719024450 311 0 $a0719024455 311 0 $a9780719057380 311 0 $a0719057388 320 $aIncludes bibliographical references (p. [336]-341) and index. 327 $aPreface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Ho?lderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. 330 $aOffering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche. 606 $aAesthetics, German$y18th century 606 $aAesthetics, German$y19th century 606 $aAesthetics, Modern$y18th century 606 $aAesthetics, Modern$y19th century 606 $aSubjectivity 615 0$aAesthetics, German 615 0$aAesthetics, German 615 0$aAesthetics, Modern 615 0$aAesthetics, Modern 615 0$aSubjectivity. 676 $a111/.85/094309033 700 $aBowie$b Andrew$f1952-$0775827 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910146930903321 996 $aAesthetics and subjectivity$91704593 997 $aUNINA