LEADER 04568nam 2200745Ia 450 001 9910146438403321 005 20200520144314.0 010 $a978-6-15521-143-0 010 $a9786155211430 010 $a615-5211-43-4 010 $a2-8218-1522-0 010 $a1-281-12894-5 010 $a9786611128944 010 $a1-4356-1236-1 024 7 $a10.1515/9786155211430 035 $a(CKB)1000000000474792 035 $a(EBL)3137256 035 $a(SSID)ssj0000218550 035 $a(PQKBManifestationID)11175957 035 $a(PQKBTitleCode)TC0000218550 035 $a(PQKBWorkID)10213860 035 $a(PQKB)10444535 035 $a(OCoLC)182798293 035 $a(MdBmJHUP)muse48222 035 $a(Au-PeEL)EBL3137256 035 $a(CaPaEBR)ebr10209503 035 $a(CaONFJC)MIL112894 035 $a(OCoLC)922997933 035 $a(DE-B1597)633331 035 $a(DE-B1597)9786155211430 035 $a(MiAaPQ)EBC3137256 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/55764 035 $a(PPN)182832392 035 $a(EXLCZ)991000000000474792 100 $a20070430d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPast for the eyes $eEast European representations of communism in cinema and museums after 1989 /$fedited by Oksana Sarkisova and Peter Apor 205 $a1st ed. 210 $aNew York $cCentral European University Press$d2008 215 $a1 online resource (436 p.) 300 $aDescription based upon print version of record. 311 $a963-9776-03-3 320 $aIncludes bibliographical references and indexes. 327 $tFrontmatter -- $tContents -- $tIntroduction -- $tDocuments Of Communism: Lost And Found -- $tDocuments Of Communism: Lost And Found -- $tThe Man in the White Raincoat -- $tCommunist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media -- $tFaçades The Private and the Public in Kádár?s Kiss by Péter Forgács -- $tThe Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives -- $tSubjects of Nostalgia: Selling the Past -- $tOut of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema -- $tLong Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema -- $tThe Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland -- $t?We Have Democracy, Don?t We?? Czech Society as Reflected in Contemporary Czech Cinema -- $tObjects of Memory: Museums, Monuments, Memorials -- $tThe Redistribution of the Memory of Socialism. Identity Formations of the ?Survivors? in Hungary after 1989 -- $tRaising the Cross. Exorcising Romania?s Communist Past in Museums, Memorials and Monuments -- $tThe ?Unmemorable? and the ?Unforgettable.? ?Museumizing? the Socialist Past in Post-1989 Bulgaria -- $tContaining Fascism. History in Post-Communist Baltic Occupation and Genocide Museums -- $tHow Is Communism Displayed? Exhibitions and Museums of Communism in Poland -- $tAbout the Authors -- $tName Index -- $tSubject Index 330 $aHow do museums and cinema shape the image of the Communist past in today?s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history ?ended? in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society?s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. 606 $aMotion pictures$zEurope, Eastern 606 $aCommunism and motion pictures 606 $aCommunism$xMuseums 615 0$aMotion pictures 615 0$aCommunism and motion pictures. 615 0$aCommunism$xMuseums. 676 $a791.430947 701 $aSarkisova$b Oksana$f1974-$0934440 701 $aApor$b Peter$00 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910146438403321 996 $aPast for the eyes$93361753 997 $aUNINA