LEADER 02331nam 2200577Ia 450 001 9910146253503321 005 20200520144314.0 010 $a1-280-95844-8 010 $a9786610958443 010 $a90-485-0553-4 010 $a1-4294-5464-4 035 $a(CKB)1000000000467291 035 $a(EBL)419768 035 $a(OCoLC)85784577 035 $a(SSID)ssj0000122287 035 $a(PQKBManifestationID)11132377 035 $a(PQKBTitleCode)TC0000122287 035 $a(PQKBWorkID)10123445 035 $a(PQKB)10361205 035 $a(MiAaPQ)EBC419768 035 $a(EXLCZ)991000000000467291 100 $a20070313d2006 uy 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe cinema of attractions reloaded /$fedited by Wanda Strauven 205 $a1st ed. 210 $aAmsterdam $cAmsterdam University Press$dc2006 215 $a1 online resource (464 p.) $cillustrations 225 1 $aFilm culture in transition 300 $aDescription based upon print version of record. 311 $a90-5356-945-6 320 $aIncludes bibliographical references (p. [421]-433) and index. 327 $aTable of Contents; Acknowledgments; Introduction to an Attractive Concept; Theory Formation ["The Cinema of Attractions"]; Attraction Theories and Terminologies ["Early Film"]; Audiences and Attractions [""Its Spectator""]; Attraction Practices through History ["The Avant-Garde": section 1]; Digital Media and (Un)Tamed Attractions [""The Avant-Garde"": section 2]; Dossier; Notes on Contributors; General Bibliography; Index of Names; Index of Film Titles; Index of Subjects 330 $aAbout the attractiveness and usefulness of the term ""cinema of attractions"" for both pre-classical and post-classical cinema 410 0$aFilm culture in transition. 606 $aMotion pictures$xHistory 606 $aMotion pictures$xHistory$y20th century 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures$xHistory 676 $a791.4309 701 $aStrauven$b Wanda$0776062 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910146253503321 996 $aThe cinema of attractions reloaded$92052468 997 $aUNINA