LEADER 01143nam2 22003371i 450 001 990005621830403321 005 20180628125500.0 035 $aFED01000562183 035 $a(Aleph)000562183FED01 035 $a000562183 100 $a19990604d1969----km-y0itay50------ba 101 0 $aeng 102 $aNL 105 $af-------00--- 200 1 $aGeertgen tot Sint Jans and Jerome Bosch$fMax J. Friedländer$gcomments and notes by G. Lemmens$gtranslation by Heinz Norden 210 $aBrussels$cA.W. Sijthoff$aLeiden$cÉditionditions de la Connaissance 215 $a113 p., 135 tav.$d28 cm 461 0$1001000562151$12001$aEarly netherlandish painting$fMax J. 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Weldon 205 $aRev. ed. 210 $aChichester, West Sussex ;$aHoboken, N.J. $cWiley$d2009 215 $a1 online resource (382 p.) 300 $aDescription based upon print version of record. 311 $a0-470-69753-9 320 $aIncludes bibliographical references and index. 327 $aFailure Analysis of Paints and Coatings, Revised Edition; Contents; Preface to the Revised Edition; Preface to the First Edition; Acknowledgements; 1: General Principles of Coating Formulation; 1.1 INTRODUCTION; 1.2 BINDERS; 1.3 PIGMENTS; 1.4 SOLVENTS; 1.5 ADDITIVES; 1.6 FORMULATION CONCEPTS: PIGMENT-TO-BINDER RATIO; 1.7 FORMULATION CONCEPTS: PIGMENT-VOLUME CONCENTRATION; 1.8 FORMULATION CONCEPTS: DENSITY, WEIGHT SOLIDS AND VOLUME SOLIDS; REFERENCES; 2: Why Coatings Work and Why They Fail; 2.1 WHY COATINGS WORK; 2.1.1 Adhesion; 2.1.2 Wetting; 2.1.3 Surface Preparation; 2.1.4 Cohesive Strength 327 $a2.1.5 Permeability2.2 WHY COATINGS FAIL; 2.2.1 Mechanical Stress; 2.2.2 Internal Stress; 2.2.3 Chemical Attack; 2.2.4 Weathering Stress; 2.2.5 Osmotic Blistering; 2.2.6 Electroendosmotic Blistering; REFERENCES; 3: Pigments; 3.1 INORGANIC PIGMENTS; 3.1.1 Inorganic Colour Pigments - White; 3.1.2 Inorganic Colour Pigments - Yellow; 3.1.3 Inorganic Colour Pigments - Orange; 3.1.4 Inorganic Colour Pigments - Red; 3.1.5 Inorganic Colour Pigments - Blue; 3.1.6 Inorganic Colour Pigments - Green; 3.2 EXTENDER PIGMENTS; 3.2.l Silica/Silicates; 3.2.2 Calcium Carbonate; 3.2.3 Barytes 327 $a3.3 CORROSION-RESISTANT PIGMENTS3.4 ORGANIC PIGMENTS; 3.4.1 Organic Red Pigments; 3.4.2 Organic Yellow Pigments; 3.4.3 Organic Blue Pigments; 3.4.4 Organic Green Pigments; REFERENCES; 4: Additives and Solvents; 4.1 ADDITIVES; 4.1.1 Anti-settling Agents; 4.1.2 Viscosity Modifiers; 4.1.3 Surfactants and Emulsifying Agents; 4.1.4 De-foaming and Anti-foaming Agents; 4.1.5 Driers; 4.1.6 Plasticizers; 4.1.7 Ultraviolet Stabilizers; 4.1.8 Anti-skinning Agents; 4.1.9 Biocides; 4.1.10 Flow-Modifying Agents; 4.2 SOLVENTS; REFERENCES; 5: Coating Types and Common Failure Modes 327 $a5.1 NATURAL RESINS AND OILS5.1.1 Natural Resins; 5.1.2 Oils; 5.2 ALKYDS AND EPOXY ESTERS; 5.2.1 Alkyds; 5.2.2 Epoxy Esters; 5.3 EPOXIES; 5.3.1 Amine and Amide Curing Agents for Epoxy Resins; 5.3.2 Epoxy Failure Modes; 5.4 MODIFIED EPOXIES; 5.4.1 Acrylic Epoxies; 5.4.2 Coal Tar Epoxies; 5.4.3 Epoxy Phenolics; 5.5 PHENOLICS; 5.5.1 Resole Phenolics; 5.5.2 Novolac Phenolics; 5.5.3 Phenolic Failure Modes; 5.6 AMINO RESINS; 5.7 ACRYLICS; 5.7.1 Solution Acrylics; 5.7.2 Acrylic Latex Coatings; 5.7.3 Thermoset Acrylics; 5.8 POLYESTERS; 5.8.1 Saturated Polyesters; 5.8.2 Unsaturated Polyesters 327 $a5.9 POLYURETHANES5.9.1 Two-Component Polyisocyanate/Polyol Coatings; 5.9.2 Urealkyds; 5.9.3 Moisture-Cured Polyurethanes; 5.9.4 Polyurethane Lacquers and Dispersions; 5.9.5 Two-Component Water-Borne Polyurethanes; 5.10 VINYLS; 5.10.1 Solution Vinyls; 5.10.2 Plastisols and Organosols; 5.10.3 Vinyl Fluorides; 5.10.4 Poly(vinyl butyral); 5.10.5 Vinyl Latexes; 5.11 BITUMINOUS COATINGS; 5.12 INORGANIC AND SILICONE-MODIFIED COATINGS; 5.12.1 Silicone Coatings; 5.12.2 Silicate Coatings; 5.12.3 Polysiloxane Coatings; 5.13 POLYUREAS; 5.13.1 Polyaspartic Polyurea Coatings; 5.14 POWDER COATINGS 327 $aREFERENCES 330 $aEntirely devoted to the failure analysis of coatings and paints - an "excellent reference to a select market".Latest edition contains new material on surface preparation, transfer of salt to steel from contaminated abrasive, effect of peak density on coating performance, on galvanizing, silane-modified coatings, polyurea coatings, polyaspartics, and powder coatings and on dry spray.Balances scientific background and practical advice, giving both the theory and applications in a slim, easily readable form.Includes case studies of laboratory tests.Written by 606 $aPaint$xTesting 606 $aCoatings$xTesting 608 $aElectronic books. 615 0$aPaint$xTesting. 615 0$aCoatings$xTesting. 676 $a667.9 676 $a667/.90287 686 $aVN 5750$2rvk 700 $aWeldon$b Dwight G$0885922 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910146138703321 996 $aFailure analysis of paints and coatings$91978121 997 $aUNINA LEADER 01481nam 2200361Ia 450 001 996391444403316 005 20221108055522.0 035 $a(CKB)1000000000659583 035 $a(EEBO)2240852812 035 $a(OCoLC)13012185 035 $a(EXLCZ)991000000000659583 100 $a19860111d1642 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aQueries of some tender conscienced Christians about the late Protestation commended to them by the House of Commons, now assembled in the High and Honourable Court of Parliament$b[electronic resource] $ewherein they desire to be resolved concerning 1. the authority imposing it, 2. the necessity of it, 3. the danger of it, 4. whether it can be taken in faith ... /$fwritten by a learned divine 210 $a[London $cs.n.]$d1642 215 $a[2], 10 p 300 $aPlace of publication from Wing. 300 $aReproduction of original in Cambridge University Library. 330 $aeebo-0021 606 $aOaths$zEngland 606 $aChurch and state$zEngland 615 0$aOaths 615 0$aChurch and state 700 $aLearned divine$01004508 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996391444403316 996 $aQueries of some tender conscienced Christians about the late Protestation commended to them by the House of Commons, now assembled in the High and Honourable Court of Parliament$92307560 997 $aUNISA LEADER 01001nam a22002531i 4500 001 991003614569707536 005 20030911121242.0 008 031111m19681969gw |||||||||||||||||ger 035 $ab12450844-39ule_inst 035 $aARCHE-048413$9ExL 040 $aDip.to Lingue$bita$cA.t.i. 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Pandora Sicilia s.r.l. 082 04$a832.912 100 1 $aBarlach, Ernst$0131255 245 14$aDie Briefe :$b1888-1938 /$cErnst Barlach ; herausgegeben von Friedrich Dross 260 $aMunchen :$bPiper & Co.,$c1968-1969 300 $a2 v. ;$c20 cm 700 1 $aDross, Friedrich 907 $a.b12450844$b02-04-14$c13-11-03 912 $a991003614569707536 945 $aLE012 F.G. 65$cV. 1$g1$i2012000054493$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12878145$z13-11-03 945 $aLE012 F.G. 65/1$cV. 2$g1$i2012000054455$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12878157$z13-11-03 996 $aBriefe$9180296 997 $aUNISALENTO 998 $ale012$b13-11-03$cm$da $e-$fger$ggw $h4$i2 LEADER 03022oam 22004814a 450 001 9910156518403321 005 20241204164607.0 024 7 $a10.21983/P3.0135.1.00 035 $a(CKB)3710000000987257 035 $a(OAPEN)1004605 035 $a(OCoLC)1182548160 035 $a(MdBmJHUP)muse87187 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29533 035 $a(oapen)doab29533 035 $a(EXLCZ)993710000000987257 100 $a20200729e20202016 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBigger Than You: Big Data and Obesity$fKatherine Behar 210 $aBrooklyn, NY$cpunctum books$d2016 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$d©2020 215 $a1 online resource (x, 51 pages) $cillustrations; PDF, digital file(s) 311 08$a0692652833 320 $aIncludes bibliographical references (pages 45-51). 327 $aPoints -- Lines -- Planes -- Bodies -- One. 330 $aIn her first inquiry toward decelerationist aesthetics, Katherine Behar explores the rise of two "big deal" contemporary phenomena, big data and obesity. In both, scale rearticulates the human as a diffuse informational pattern, causing important shifts in political form as well as aesthetic form. Bigness redraws relationships between the singular and the collective. Understood as informational patterns, collectives can be radically inclusive, even incorporating nonhumans. As a result, the political subject is slowly becoming a new object. This social and informational body belongs to no single individual, but is shared in solidarity with something "bigger than you." In decelerationist aesthetics, the aesthetic properties, proclivities, and performances of objects come to defy the accelerationist imperative to be nimbly individuated. Decelerationist aesthetics rejects atomistic, liberal, humanist subjects; this unit of self is too consonant with capitalist relations and functions. Instead, decelerationist aesthetics favors transhuman sociality embodied in particulate, mattered objects; the aesthetic form of such objects resists capitalist speed and immediacy by taking back and taking up space and time. In just this way, big data calls into question the conventions by which humans are defined as discrete entities, and individual scales of agency are made to form central binding pillars of social existence through which bodies are drawn into relations of power and pathos. 606 $aData mining$xSocial aspects 606 $aBig data 606 $aAesthetics, Modern$y21st century 615 0$aData mining$xSocial aspects. 615 0$aBig data. 615 0$aAesthetics, Modern 700 $aBehar$b Katherine$f1976-$0898036 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910156518403321 996 $aBigger Than You: Big Data and Obesity$92006371 997 $aUNINA