LEADER 05381nam 2200841Ia 450 001 9910145785403321 005 20200520144314.0 010 $a9786610958979 010 $a9781280958977 010 $a1280958979 010 $a9789048505265 010 $a9048505267 010 $a9781417520541 010 $a141752054X 024 7 $a10.1515/9789048505265 035 $a(CKB)1000000000003574 035 $a(EBL)420270 035 $a(OCoLC)437106990 035 $a(SSID)ssj0000169032 035 $a(PQKBManifestationID)11177804 035 $a(PQKBTitleCode)TC0000169032 035 $a(PQKBWorkID)10202692 035 $a(PQKB)10778750 035 $a(MiAaPQ)EBC420270 035 $a(DE-B1597)532936 035 $a(OCoLC)1110714429 035 $a(DE-B1597)9789048505265 035 $a(UkCbUP)CR9789048505265 035 $a(Au-PeEL)EBL420270 035 $a(CaPaEBR)ebr10065761 035 $a(CaONFJC)MIL95897 035 $a(MiAaPQ)EBC31780016 035 $a(Au-PeEL)EBL31780016 035 $a(ScCtBLL)1a3fb898-2b01-4b15-823a-513a1e909bf0 035 $a(OCoLC)1159390157 035 $a(Perlego)1459209 035 $a(EXLCZ)991000000000003574 100 $a20040805d2004 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHarun Farocki $eworking on the sightlines /$fedited by Thomas Elsaesser 205 $a1st ed. 210 $aAmsterdam $cAmsterdam University Press$dc2004 210 1$aAmsterdam : $cAmsterdam University Press, $d[2004] 210 4$d©2004 215 $a1 online resource (379 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 05 Feb 2021). 311 0 $a9789053566367 311 0 $a9053566368 311 0 $a9789053566350 311 0 $a905356635X 320 $aIncludes filmograpy: p. [325]-361. 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tContents --$tIntroduction --$tHarun Farocki: Filmmaker, Artist, Media Theorist /$rElsaesser, Thomas --$tImage In(ter)ventions --$tPainting Pavements /$rSiebel, Volker --$tImages And Thoughts, People And Things, Materials And Methods /$rBecker, Jörg --$tIncisive Divides And Revolving Images: On The Installation Schnittstelle /$rBlümlinger, Christa --$tFilming As Writing, Writing As Filming, Staking One's Life --$tPassage Along The Shadow-Line: Feeling One'S Way Towards The Filmkritik-Style /$rMöller, Olaf --$tThe Green Of The Grass: Harun Farocki In Filmkritik /$rKnepperges, Rainer --$tStaking One's Life: Images Of Holger Meins /$rFarocki, Harun --$tBetween Wars, Between Images --$tWorking At The Margins: Film As A Form Of Intelligence /$rElsaesser, Thomas --$tDog From The Freeway /$rFarocki, Harun --$tPolitical Filmmaking After Brecht: Harun Farocki, For Example /$rElsaesser, Thomas --$tDocumenting The Life Of Ideas? - Farocki And The 'Essay Film --$tThe Road Not Taken: Films By Harun Farocki /$rRosenbaum, Jonathan --$tSlowly Forming A Thought While Working On Images /$rBlümlinger, Christa --$tMaking The World Superfluous: An Interview With Harun Farocki /$rElsaesser, Thomas --$tImages Of The World And The Inscription Of War --$tReality Would Have To Begin /$rFarocki, Harun --$tLight Weapons /$rKeenan, Tom --$tThe Political Im/Perceptible: Farocki'S Images Of The World And The Inscription Of War /$rAlter, Nora --$tFilm: Media: Work: Archive --$tWorkers Leaving The Factory /$rFarocki, Harun --$tOn Media And Democratic Politics: Videograms Of A Revolution /$rYoung, Benjamin --$tTowards An Archive For Visual Concepts /$rFarocki, Harun / Ernst, Wolfgang --$tFrom The Surveillance Society To The Control Society --$tControlling Observation /$rFarocki, Harun --$tNine Minutes In The Yard: A Conversation With Harun Farocki /$rHüser, Rembert --$tHarun Farocki: Critical Strategies /$rBlümlinger, Christa --$tAcknowledgements --$tFarocki: A Filmography --$tNotes On Contributors --$tIndex Of Names --$tIndex Of Films / Subjects 330 $aFilmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children's television features, 'learning films' in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki's own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career. 410 0$aFilm culture in transition. 517 3 $aWorking on the sightlines 606 $aMotion picture producers and directors$zGermany$vBiography 615 0$aMotion picture producers and directors 676 $a791.4302/33/092 701 $aFarocki$b Harun$0780904 701 $aElsasser$b T$g(Thomas)$01758683 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910145785403321 996 $aHarun Farocki$94196895 997 $aUNINA