LEADER 04459nam 2200841Ia 450 001 9910145782003321 005 20200520144314.0 010 $a9786610958948 010 $a9781280958946 010 $a1280958944 010 $a9789048503681 010 $a904850368X 010 $a9781417521722 010 $a1417521724 024 7 $a10.1515/9789048503681 035 $a(CKB)1000000000004531 035 $a(EBL)420244 035 $a(OCoLC)55848929 035 $a(SSID)ssj0000189390 035 $a(PQKBManifestationID)11156667 035 $a(PQKBTitleCode)TC0000189390 035 $a(PQKBWorkID)10156447 035 $a(PQKB)10471817 035 $a(DE-B1597)518154 035 $a(OCoLC)888545476 035 $a(DE-B1597)9789048503681 035 $a(UkCbUP)CR9789048503681 035 $a(Au-PeEL)EBL420244 035 $a(CaPaEBR)ebr10065764 035 $a(CaONFJC)MIL95894 035 $a(MiAaPQ)EBC420244 035 $a(MiAaPQ)EBC31780102 035 $a(Au-PeEL)EBL31780102 035 $a(ScCtBLL)b0523f28-16b2-427e-90e8-bb772021693f 035 $a(OCoLC)1159391499 035 $a(Perlego)1458912 035 $a(EXLCZ)991000000000004531 100 $a20030430d2004 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe last great American picture show $enew Hollywood cinema in the 1970s /$fedited by Thomas Elsaesser, Alexander Horwath, and Noel King 205 $a1st ed. 210 $aAmsterdam $cAmsterdam University Press$d2004 210 1$aAmsterdam : $cAmsterdam University Press, $d[2004] 210 4$d©2004 215 $a1 online resource (391 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 05 Feb 2021). 311 08$a9789053564936 311 08$a9053564934 311 08$a9789053566312 311 08$a9053566317 327 $tFront matter --$tTable of Contents --$tPart One: Introductions --$tThe Impure Cinema: New Hollywood 1967-1976 /$rHorwath, Alexander --$t"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema /$rKing, Noel --$tAmerican Auteur Cinema: The Last - or First - Picture Show? /$rElsaesser, Thomas --$tPart Two: Histories --$tThe Decade When Movies Mattered /$rThomson, David --$tA Walking Contradiction (Partly Truth and Partly Fiction) /$rHorwath, Alexander --$tThe Exploitation Generation. Or: How Marginal Movies Came in from the Cold /$rMcDonagh, Maitland --$tNew Hollywood and the Sixties Melting Pot /$rRosenbaum, Jonathan --$tPart Three: People and Places --$tDinosaurs in the Age of the Cinemobile /$rJameson, Richard T. --$t"The Cylinders Were Whispering My Name": The Films of Monte Hellman /$rJones, Kent --$tNashville Contra Jaws, Or "The Imagination of Disaster" Revisited /$rHoberman, J. --$tFor Wanda /$rReynaud, Bérénice --$tEverybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock /$rHampton, Howard --$tAuteurism and War-teurism: Terrence Malick's War Movie /$rPolan, Dana --$tPart Four: Critical Debates --$tThe Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] /$rElsaesser, Thomas --$tTrapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) /$rKeathley, Christian --$tGrim Fascination: Fingers, James Toback, and 1970's American Cinema /$rMartin, Adrian --$tAllegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling /$rRobnik, Drehli --$tBibliography --$tList of Contributors --$tPictures (with credits) --$tIndex of Film Titles 330 $aA unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman. 410 0$aFilm culture in transition. 606 $aMotion pictures$zUnited States$xHistory 606 $aCinematography$zUnited States$xHistory 615 0$aMotion pictures$xHistory. 615 0$aCinematography$xHistory. 676 $a791.430979494 701 $aHorwath$b Alexander$01763457 701 $aKing$b Noel$01763458 701 $aElsaesser$b Thomas$f1943-$0560465 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910145782003321 996 $aThe last great American picture show$94203885 997 $aUNINA