LEADER 05538nam 2200721Ia 450 001 9910145286803321 005 20240418063041.0 010 $a1-78268-618-5 010 $a1-281-32236-9 010 $a9786611322366 010 $a1-4051-6552-9 010 $a0-470-75148-7 010 $a0-470-75147-9 035 $a(CKB)1000000000404109 035 $a(EBL)350880 035 $a(SSID)ssj0000126140 035 $a(PQKBManifestationID)11136925 035 $a(PQKBTitleCode)TC0000126140 035 $a(PQKBWorkID)10045590 035 $a(PQKB)10151311 035 $a(Au-PeEL)EBL350880 035 $a(CaPaEBR)ebr10233011 035 $a(CaONFJC)MIL132236 035 $a(MiAaPQ)EBC350880 035 $a(OCoLC)212122634 035 $a(EXLCZ)991000000000404109 100 $a20060331d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to modern British and Irish drama, 1880-2005$b[electronic resource] /$fedited by Mary Luckhurst 205 $a1st ed. 210 $aMalden, MA ;$aOxford $cBlackwell Pub.$d2006 215 $a1 online resource (604 p.) 225 1 $aBlackwell companions to literature and culture ;$v43 300 $aDescription based upon print version of record. 311 $a1-4051-2228-5 320 $aIncludes bibliographical references and index. 327 $aA COMPANION TO MODERNBRITISH AND I RISHDRAMA; Contents; Acknowledgements; List of Illustrations; Notes on Contributors; Introduction; Part I Contexts; 1 Domestic and Imperial Politics in Britain and Ireland: The Testimony of Irish Theatre; 2 Reinventing England; 3 Ibsen in the English Theatre in the Fin de Sie?cle; 4 New Woman Drama; Part II Mapping New Ground, 1900-1939; 5 Shaw among the Artists; 6 Granville Barker and the Court Dramatists; 7 Gregory, Yeats and Ireland's Abbey Theatre; 8 Suffrage Theatre: Community Activism and Political Commitment; 9 Unlocking Synge Today 327 $a10 Sean O'Casey's Powerful Fireworks11 Auden and Eliot: Theatres of the Thirties; Part III England, Class and Empire, 1939-1990; 12 Empire and Class in the Theatre of John Arden and Margaretta D'Arcy; 13 When Was the Golden Age? Narratives of Loss and Decline: John Osborne, Arnold Wesker and Rodney Ackland; 14 A Commercial Success: Women Playwrights in the 1950s; 15 Home Thoughts from Abroad: Mustapha Matura; 16 The Remains of the British Empire: The Plays of Winsome Pinnock; Part IV Comedy; 17 Wilde's Comedies; 18 Always Acting: Noe?l Coward and the Performing Self; 19 Beckett's Divine Comedy 327 $a20 Form and Ethics in the Comedies of Brendan Behan21 Joe Orton: Anger, Artifice and Absurdity; 22 Alan Ayckbourn: Experiments in Comedy; 23 'They Both Add up to Me': The Logic of Tom Stoppard's Dialogic Comedy; 24 Stewart Parker's Comedy of Terrors; Part V War and Terror; 25 A Wounded Stage: Drama and World War I; 26 Staging 'the Holocaust' in England; 27 Troubling Perspectives: Northern Ireland, the 'Troubles' and Drama; 28 On War: Charles Wood's Military Conscience; 29 Torture in the Plays of Harold Pinter; 30 Sarah Kane: From Terror to Trauma; Part VI Theatre since 1968 327 $a31 Theatre since 196832 Lesbian and Gay Theatre: All Queer on the West End Front; 33 Edward Bond: Maker of Myths; 34 John McGrath and Popular Political Theatre; 35 David Hare and Political Playwriting: Between the Third Way and the Permanent Way; 36 Left in Front: David Edgar's Political Theatre; 37 Liz Lochhead: Writer and Re-Writer: Stories, Ancient and Modern; 38 'Spirits that Have Become Mean and Broken': Tom Murphy and the 'Famine' of Modern Ireland; 39 Caryl Churchill: Feeling Global; 40 Howard Barker and the Theatre of Catastrophe; 41 Reading History in the Plays of Brian Friel 327 $a42 Marina Carr: Violence and Destruction: Language, Space and Landscape43 Scrubbing up Nice? Tony Harrison's Stagings of the Past; 44 The Question of Multiculturalism: The Plays of Roy Williams; 45 Ed Thomas: Jazz Pictures in the Gaps of Language; 46 Theatre and Technology; Index 330 $aThis wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity.An authoritative guide to modern British and Irish drama.Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism.Topics covered include: national, regional and fringe theatres; post-colonial stages and 410 0$aBlackwell companions to literature and culture ;$v43. 606 $aEnglish drama$y20th century$xHistory and criticism$vHandbooks, manuals, etc 606 $aEnglish drama$xIrish authors$xHistory and criticism$vHandbooks, manuals, etc 607 $aIreland$xIntellectual life$y20th century$vHandbooks, manuals, etc 607 $aEngland$xIntellectual life$y20th century$vHandbooks, manuals, etc 615 0$aEnglish drama$xHistory and criticism 615 0$aEnglish drama$xIrish authors$xHistory and criticism 676 $a822.909 676 $a822/.9109 701 $aLuckhurst$b Mary$0913134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910145286803321 996 $aA companion to modern British and Irish drama, 1880-2005$92045593 997 $aUNINA