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Narratives of Loss and Decline: John Osborne, Arnold Wesker and Rodney Ackland; 14 A Commercial Success: Women Playwrights in the 1950s; 15 Home Thoughts from Abroad: Mustapha Matura; 16 The Remains of the British Empire: The Plays of Winsome Pinnock; Part IV Comedy; 17 Wilde's Comedies; 18 Always Acting: Noe?l Coward and the Performing Self; 19 Beckett's Divine Comedy 327 $a20 Form and Ethics in the Comedies of Brendan Behan21 Joe Orton: Anger, Artifice and Absurdity; 22 Alan Ayckbourn: Experiments in Comedy; 23 'They Both Add up to Me': The Logic of Tom Stoppard's Dialogic Comedy; 24 Stewart Parker's Comedy of Terrors; Part V War and Terror; 25 A Wounded Stage: Drama and World War I; 26 Staging 'the Holocaust' in England; 27 Troubling Perspectives: Northern Ireland, the 'Troubles' and Drama; 28 On War: Charles Wood's Military Conscience; 29 Torture in the Plays of Harold Pinter; 30 Sarah Kane: From Terror to Trauma; Part VI Theatre since 1968 327 $a31 Theatre since 196832 Lesbian and Gay Theatre: All Queer on the West End Front; 33 Edward Bond: Maker of Myths; 34 John McGrath and Popular Political Theatre; 35 David Hare and Political Playwriting: Between the Third Way and the Permanent Way; 36 Left in Front: David Edgar's Political Theatre; 37 Liz Lochhead: Writer and Re-Writer: Stories, Ancient and Modern; 38 'Spirits that Have Become Mean and Broken': Tom Murphy and the 'Famine' of Modern Ireland; 39 Caryl Churchill: Feeling Global; 40 Howard Barker and the Theatre of Catastrophe; 41 Reading History in the Plays of Brian Friel 327 $a42 Marina Carr: Violence and Destruction: Language, Space and Landscape43 Scrubbing up Nice? 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