LEADER 03510nam 22007454a 450 001 9910145272503321 005 20220504114612.0 010 $a80-470-7742-2 010 $a0-470-77424-X 010 $a1-281-31125-1 010 $a9786611311254 010 $a0-470-77735-4 035 $a(CKB)1000000000404607 035 $a(EBL)350918 035 $a(OCoLC)476169641 035 $a(SSID)ssj0000099977 035 $a(PQKBManifestationID)11108475 035 $a(PQKBTitleCode)TC0000099977 035 $a(PQKBWorkID)10015798 035 $a(PQKB)11621945 035 $a(MiAaPQ)EBC350918 035 $a(MiAaPQ)EBC7076256 035 $a(Au-PeEL)EBL7076256 035 $a(PPN)261555146 035 $a(EXLCZ)991000000000404607 100 $a20031024d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAfter criticism$b[electronic resource] $enew responses to art and performance /$fedited by Gavin Butt 210 $aMalden, MA $cBlackwell$d2005 215 $a1 online resource (234 p.) 225 1 $aNew interventions in art history ;$v4 300 $aDescription based upon print version of record. 311 $a0-631-23284-2 311 $a0-631-23283-4 320 $aIncludes bibliographical references (p. [207]-211) and index. 327 $aContents; List of Illustrations; Notes on Contributors; Series Editor 's Preface; Introduction:The Paradoxes of Criticism; Part I Performing Art 's Histories; 1 Solo Solo Solo; 2 Binding to Another 's Wound:Of Weddings and Witness; 3 This is I; Part II Distracted and Bored:The Critic Looks Elsewhere; 4 The Trouble with Men,or,Sex,Boredom,and the Work of Vaginal Davis; 5 Utopia 's Seating Chart:Ray Johnson,Jill Johnston, and Queer Intermedia as System; 6 Looking Away:Participations in Visual Culture; Part III Critical Response/Performative Process 327 $a7 Itinerant Improvisations:From "My Favorite Things " to an "agency of night "8 The Experience of Art as a Living Through of Language; 9 A Transparent Lecture; Selected Bibliography; Index 330 $aIt has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importan 410 0$aNew interventions in art history ;$v4. 606 $aPerformance art 606 $aArt criticism$zUnited States$xHistory$y20th century 606 $aPerformance (Art)$2thub 606 $aCrítica d'art$2thub 606 $aHistòria$2thub 607 $aEstats Units d'Amèrica$2thub 608 $aLlibres electrònics$2thub 615 0$aPerformance art. 615 0$aArt criticism$xHistory 615 7$aPerformance (Art) 615 7$aCrítica d'art 615 7$aHistòria 676 $a701.1809049 676 $a701/.18/09049 701 $aButt$b Gavin$0719746 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910145272503321 996 $aAfter criticism$92230649 997 $aUNINA